On November 2, 2022, the FUJIFILM X-T5 APS-C digital mirrorless camera was officially introduced.
- 5 MP APS-C X-Trans BSI CMOS 40 sensor
- ISO 125-12.800 expandable to 80-51.200
- 7 steps integrated image stabilizer
- X-5 processor
- Maximum burst speed with a mechanical shutter 15 fps
- Maximum shutter speed with electronic shutter 20 fps
- Minimum excerpt mechanical shutter 1/8000 s, electronic 1/180.000 tsp.
- Video 4K 120p, 6.2K 30p, FHD 240p 10-Bit + 12-bit ProRes RAW and Blackmagic RAW via HDMI
- 3-inch, 1.620.000-dots rotatable touchscreen display
- EVI 3.69 million dots, 0.8X magnification, 100% frame coverage, 100 fps
- Hybrid focus system, 425 phase focus points
- Two SD UHS-II card slots
- Many connectors
- Weight 557 grams with battery and memory card
- The price is about $ 1700 per body
All Fujifilm X APS-C Interchangeable Lens Digital Mirrorless Cameras
- X-Pro1, X-Pro2, X-Pro3
- X-T1, X-T2, X-T3, X-T4, X-T5
- X-T10, X-T20, X-T30, X-T30II
- X-T100, X-T200
- X-E1, X-E2, X-E2s, X-E3, X-E4
- X-A1, X-A2, X-A3, X-A5, X-A7
- X-H1, X-H2S, X-H2
All Fujinon X-mount Lenses
- 14 mm 1: 2.8 XF R
- 16 mm 1: 1.4 XF R WR Nano-gi
- 16 mm 1: 2.8 XF R WR
- 18 mm 1: 1.4 XF R WR LM
- 18 mm 1: 2 XF R
- 23 mm 1: 1.4 XF R
- 23 mm 1: 1.4 XF R WR LM
- 23 mm 1: 2 XF R WR
- 27 mm 1: 2.8 XF
- 27 mm 1: 2.8 XF R WR
- 30 mm 1: 2.8 XF R WR LM
- 33 mm 1: 1.4 XF R WR LM
- 35 mm 1:2 XC
- 35 mm 1: 2 XF R WR
- 35 mm 1: 1.4 XF R
- 50 mm 1: 2 XF R WR
- 50 mm 1: 1 XF R WR
- 56 mm 1: 1.2 XF R .
- 56 mm 1: 1.2 XF R APD (11/8)
- 56 mm 1: 1.2 XF R WR .
- 60 mm 1: 2.4 XF Macro R
- 80 mm 1: 2.8 XF R LM OIS WR MACRO
- 90 mm 1: 2 XF R LM WR
- 200 mm 1: 2 XF R LM OIS WR
- 8-16 mm 1: 2.8 XF R LM WR Nano-gi
- 10-24 mm 1: 4 XF R OIS
- 10-24 mm 1: 4 XF R OIS WR
- 15-45 mm 1: 3.5-5.6 XC OIS PZ
- 16-50 1: 3.5-5.6 XC OIS
- 16-50 1: 3.5-5.6 XC OIS II
- 16-55 mm 1: 2.8 XF R LM WR Nano-gi
- 16-80 mm 1: 4 XF R OIS WR
- 18-55 mm 1: 2.8-4 XF R LM OIS
- 18-55 mm T2.9 MKX Cinema
- 18-120 mm 1: 4 XF LM PZ WR
- 18-135 mm 1: 3.5-5.6 XF R LM OIS WR
- 50-140 mm 1: 2.8 XF R LM OIS WR Nano-gi
- 50-135 mm T2.9 MKX Cinema
- 50-230 mm 1: 4.5-6.7 XC OIS
- 50-230 mm 1: 4.5-6.7 XC OIS II
- 55-200 mm 1: 3.5-4.8 XF R LM OIS
- 70-300 mm 1: 4-5.6 XF R LM OIS WR
- 100-400 mm 1: 4.5-5.6 XF R LM OIS WR
- 150-600 mm 1: 5.6-8 XF R LM OIS WR
- XF - Advanced Fujifilm X Lenses
- XC - budget, lightweight and compact lenses for Fujifilm X mount
- SUPER EBC (Electron Beam Coating) - Electron Beam Coating Optics
- Nano-GI (Nano Gradient Index) - a special nano-enlightenment optics that changes the refractive index at the junction of glass and air
- OIS (Optical Image Stabilization) - built-in optical image stabilization
- R (Ring) - a separate ring for iris control
- LM (Linear Motor) - linear focusing motor
- WR (Weather Resistant) - all-weather lens type
- Ashperical - aspherical elements in the optical scheme of the lens
- Macro - Macro Lenses
- APD(Apodization) - lens with internal non-removable gradient filter
- PZ (Power Zoom) - electronic zoom
- Cinema - lenses designed for movie shooting
- II - the second version of the lens
For Fujifilm X there are also autofocus lenses from third-party manufacturers:
- Zeiss Touit 12 / 2.8 | Zeiss Touit 32 / 1.8 | Zeiss Touit 50 / 2.8 Macro
- Viltrox 13 / 1.4 | Viltrox 23/1.4 | Viltrox 33/1.4 | Viltrox 56 / 1.4 | Viltrox 75 / 1.2 | Viltrox 85/1.8 | Viltrox 85 / 1.8 Mark II
- Tokina 23 / 1.4 | Tokina 33 / 1.4 | Tokina 56 / 1.4
- Sigma C 16/1.4| Sigma C 30 / 1.4 | Sigma C 56/1.4 | Sigma C 18-50 / 2.8
- Tamron 11-20 / 2.8 | Tamron 17-70 / 2.8 VC | Tamron 18-300 / 3.5-6.3 VC | Tamron 150-500 / 5-6.7 VC
- Samyang 12 / 2, Samyang 75/1.8
- TTArtisan 27 / 2.8, TTArtisan 32 / 2.8
- Meike 85 / 1.8
Materials on the topic
- Full frame mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems that have stopped or are no longer developing
- Digital SLR systems that have stopped or are no longer developing
- JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
- About mirrorless batteries
- Simple and clear medium format
- High-speed solutions from Chinese brands
- All fastest autofocus zoom lenses
- All fastest AF prime lenses
- Mirrored full frame on mirrorless medium format
- Autofocus Speed Boosters
- One lens to rule the world
- The impact of smartphones on the photography market
- What's next (smartphone supremacy)?
- All announcements and novelties of lenses and cameras
Material prepared Arkady Shapoval. Training/Consultations | Youtube | Facebook | Instagram | Twitter | Telegram.
FUJIFILM is still trying to prove that the APS-C sensor is still alive in professional photography... ;-)
They just don't have a full frame
And won't (for the foreseeable future)
I read a big interview with Fujifilm engineers and marketers that came out about after Panasonic came out with their FF cameras.
It was written there that they would continue to develop their system (why not, if you look at the number of crops released over the past 5 years by Nikon / Canon / Sony / Pentax). According to them, the FF market is oversaturated, and margins are falling there. Therefore, they will continue to release crop and medium format GFX. And with their GFX they will put pressure on FF from above, so that life does not seem like honey.
is he not alive? For video, it suits better than ff and micra, for photos it is also great if there is good optics for crop (and fuji has a lot of it).
But do all professionals need FF? I didn’t have much money last year, and the camera needed to be changed - I took x-t1 on the secondary. And I love the size.
Oh no, they removed the rotary screen!
yes, he is there.
The swivel screen has been removed.
The screen is now again folding like on xt [1-3] and thank God, in this model, fuji turned back to face the photographers, and for those who like to shoot video there is x-h2 (S) for example, there, in addition to the video that is actually competitive for all sorts of numbers , there are these damned / adored rotating selfie screens)