
Meike 1.4/35 Multi Coated (for MILC, APS-C, Sony E). increase.
Navigation
- In short
- All MEIKE lenses
- Main Specifications
- Assembly
- Focusing
- Image quality
- Sample Photos
- My experience
- Alternatives
- All Sony APS-C E cameras
- All original lenses for Sony APS-C E
- Price
- Review on Youtube
- Results
- User Comments
- Add your review or question on the lens
Please note that the Meike 1.4/35 Multi Coated lens is available with different mounts. This review shows the Meike 1.4/35 Multi Coated version for mirrorless cameras Sony E with APS-C sensor. At the same time, Meike 1.4 / 35 Multi Coated is also available with mounts Fujifilm x, Canon EF-M, Nikon Z, Micro 4 / 3 и Nikon 1.
In this review, the Meike 1.4 / 35 Multi Coated lens will be abbreviated as Meike 35 / 1.4.
In short
Meike 35 / 1.4 is a modern fast lens for cropped mirrorless cameras with manual focus. One of most inexpensive similar fixes for cameras with an APS-C sensor and a maximum aperture of F / 1.4.
35 mm is a convenient focal length that allows you to use the Meike 35/1.4 as a standard (regular) lens for a huge number of different photo tasks.
Meike 35 / 1.4 is interesting for its low price, high-quality assembly and maximum aperture ratio of 1: 1.4. It has minor optical flaws, but in general it should fully satisfy all the needs of amateur photographers.
The main competitors are similar inexpensive lenses TTArtisan 35 / 1.4 и 7Artisans 35 / 1.4.
All Meike Photo Lenses:
Autofocus:
- 33mm 1:1.4 AF STM NEO (overview) [Z, E, X, APS-C, 2024] (video)
- 35mm 1:2 AF STM SE (overview) [Z, E, L, Full Frame2024] (video)
- 50mm 1:1.8 AF STM (overview) [Z, E, L, Full Frame, 2024] (video)
- 55mm 1:1.8 AF STM PRO (announcement) [Z, E, L, Full Frame2024]
- 55mm 1:1.4 AF STM (announcement) [Z, E, X, APS-C2024]
- 85mm 1:1.4 AF STM (announcement) [Z, E, L, Full Frame2023]
- 85mm 1:1.8 AF STM PRO (announcement) [Z, E, L, Full Frame2024]
- 85mm 1:1.8 AF STM (overview) [Z, E, L, RF, X, Full Frame, 2022] (video)
- 85mm 1:1.8AF (overview) [Canon EF, Full Frame, 2018] (video) + 85mm 1:1.8AF (overview) [Nikon F, Full Frame, 2020] (video)
For APS-C/MFT, manual focus only:
- 3.5mm 1: 2.8 Circular Fisheye [only M4 / 3]
- 6.5mm 1: 2 Circular Fisheye [E, Z, X, EF-M, M4 / 3, N1]
- 7.5mm 1:2.8 Fisheye (overview) [E, Z, X, EF-M, M4/3]
- 8mm 1: 3.5 FISH-EYE CS [E, Z + F, EF]
- 8mm 1: 2.8 [only M4 / 3]
- 10mm 1: 2 [E, Z, X, EF-M, M4/3]
- 12mm 1:2(overview) [E, X, EF-M, M4 / 3]
- 12mm 1: 2.8 [E, X, EF-M, M4 / 3]
- 25mm 1: 2 [E, X, EF-M, M4 / 3]
- 25mm 1:1.8(overview) [E, X, EF-M, Z, M4 / 3, N1]
- 25mm 1:0.95 [E, X, EF-M, RF-S, M4/3]
- 25mm 1:0.95 [IS]
- 28mm 1:2.8(overview) [E, X, EF-M, M4/3, N1]
- 35mm 1:1.7(overview) [E, X, EF-M, Z, M4 / 3, N1]
- 35mm 1:1.4(overview) [E, X, EF-M, Z, M4 / 3, N1]
- 35mm 1:0.95 (overview) [E, X, EF-M, RF-S, M4/3]
- 50mm 1: 2 [E, X, EF-M, M4 / 3]
- 50mm 1:0.95 (overview) [E, X, EF-M, M4 / 3]
- 60mm 1:2.8 MACRO (overview) [E, X, Z, EF-M, RF-S, M4/3]
- 6-11mm 1: 3.5 Fisheye [EF / EF-S and F + E, X, EF-M, M4 / 3]
Full frame, manual focus only::
- 8mm 1: 3.5 Fisheye [F and EF / EF-S + E / FE, X, EF-M, M4 / 3]
- 50mm 1: 1.7 [Z, E/FE, RF, L + X]
- 50mm 1:1.2 [Z, FE, RF, EF, L]
- 85mm 1: 2.8 Macro [F and EF / EF-S + Z, E / FE, X, EF-M, M4 / 3]
- 85mm 1: 1.8 [for Sony E, manual]
Lenses for video shooting, manual focus only::
- 12mm T/2.2 [M4/3]
- 16mm T/2.2 [E, X, M4/3]
- 25mm T/2.2 [E, X, M4/3]
- 35mm T/2.2 [E, X, M4/3]
- 35mm T/2.1 [PL, RF, EF, L, E] Full Frame
- 50mm T/2.2 [E, X, M4/3]
- 50mm T / 2.1 [PL, RF, EF, L, E] Full Frame
- 65mm T/2.2 [E, X, M4/3]
- 85mm T/2.2 [E, X, M4/3]
Mounts:
- E: Sony E, APS-C, mirrorless
- E/FE: Fony FE, Full Frame, Mirrorless
- X: Fujifilm X, APS-C, mirrorless
- Ef-m: Canon EF-M, APS-C, mirrorless
- RF-S: Canon RF-S, APS-C, mirrorless
- Ef-s: Canon EF-S, APS-C, SLR
- M4 / 3: Micro 4/3, Kf = 2.0, mirrorless
- N1: Nikon 1, Kf = 2.7, mirrorless
- F: Nikon F, Full Frame or APS-C, SLR
- Z: Nikon Z, Full Frame or APS-C, mirrorless
- EF: Canon EF, Full Frame, SLR
- RF: Canon RF, Full Frame, Mirrorless
Meike lenses can be found in the official Meike store on Aliexpress.
Main Specifications Meike 1.4 / 35 Multi Coated
Review Instance Name | Near front lens: Meike Multi Coated 1.3ft/0.4m Ø49 1.4/35
Body: MEIKE On the lid: MEIKE Mount side: E-mount |
Basic properties |
|
Front Filter Diameter | 49 mm |
Focal length | 35 mm |
Zoom ratio | 1 X (this is a fixed lens, it does not have a zoom) |
Designed by | A variant from the review for Sony cropped mirrorless cameras.
This lens exists with mounts: |
Number of aperture blades | 9 rounded petals |
Tags |
|
Diaphragm | from F / 1.4 to F / 16, controlled using the aperture control ring. There are marks for F / 1.4, 2, 2.8, 4, 5.6 (dot only), 8, 11 (dot only), 16. The ring rotates smoothly |
MDF | 0.4 meters, maximum magnification ratio approx. 1:9 |
The weight |
|
Optical design | 8 elements in 5 groups
The drawing of the optical scheme was not found, most likely it repeats the lens 7Artisans 35mm 1: 1.4. |
Lens hood | Must be screwed into the front filter thread; marking unknown |
Manufacturer country | Made in China (there is no data on the country of manufacture on the lens itself) |
Period | From spring 2019 |
Price |
F / 1.4 is 2/3 stops brighter than the more common F / 1.8 on many other similar lenses, such as the original lens Sony 35mm F / 1.8 OSS... Moreover, the original Sony 35mm F / 1.8 OSS It has price tag around $ 500.
It's important: F/1.4 aperture here is 'true', with light transmission around T/1.6. I compared Meike 35 / 1.4 with lenses Sigma 30mm 1: 1.4 DC DN C (Contemporary), MINOLTA MC ROKKOR-PG 1:1.4 f=50mm и Nikon Nikkor-S Auto 1: 1.2 f = 55mm. At f / 1.4, the lenses give almost the same exposure (ceteris paribus). Lately I've been careful about the maximum relative aperture, there have already been many cases of cheating with the indication of the real maximum aperture by some Chinese manufacturers: 7Artisans 35 / 0.95, 7Artisans 50 / 1.05, Pergear 35 / 1.6.
Assembly
The box with the lens contains the lens itself with front and rear caps, a booklet and a warranty card. There is a soft foam holder in the middle of the box. The design of the box is stylish and beautiful.
In general, the lens well assembled... Meike 35 / 1.4 has metal mount for bayonet, and the lens case itself is completely made of metal, anodized aluminum is used.
The front lens cap is metal, without latches, just fits snugly against the body frame. There is a special fabric seal on the inside of the lid. The cover is fixed tightly. Removing and installing the cover is pleasant.
The weight of the lens is just over 200 grams. In the hands of the lens feels like a solid thing.
The filter diameter is 49 mm. The Meike 35 / 1.4 itself is quite compact, well suited for small Sony cameras with an APS-C sensor.
The diaphragm consists of 9 blades and forms a round hole at any value, while in the photographs in the blur zone, rather round disks of blur are obtained at any aperture value. The diaphragm can only be controlled manually using a special ring. Aperture ring rotates smoothly no clicks and fixed values, you can set any intermediate value in the range of F / 1.4-F / 16, which is very useful during movie shooting.
It's important: Unlike other lenses, where the aperture ring rotates with clicks, and the transition between any pairs of aperture numbers has the same step, the step between some pairs of Meike 35 / 1.4 numbers is different. It shrinks rapidly from F/4 to F/16. This makes it difficult to conveniently and quickly set intermediate values between F / 4-F / 16. And for the marks F / 5.6 and F / 11 there was no place on the scale (only dots). The aperture ring is easy to accidentally catch and knock down the set value.
Focusing
The focus ring is metal, ribbed, comfortable. The ring spins on 180 degrees (1/2 of a full turn). Focusing is very smooth and pleasant, oily.
During focusing, the trunk of the lens runs forward but does not spin. During focusing, the entire lens block moves.
On the ring there is a scale with a focusing distance, but only in meters. There is a depth of field scale. The minimum focusing distance is 40 centimeters, and the maximum magnification ratio is approximately 1: 9.
Meike 35/1.4 has a slight 'Focus Breathing' effect. During focusing towards the MDF, the viewing angle decreases.
Focus Shift (change in focusing distance due to aperture) is missing.
Hard stop (hard infinity mechanical stop) for fast and accurate focusing under any operating temperature conditions, the lens does not have.
Focus peaking with Meike 35/1.4 and Sony a3500 and a Sony NEX-6 works well at F / 1.4.
Image quality
On covered apertures, the Meike 35/1.4 easily handles a 20 megapixel APS-C sensor Sony a3500. In the center of the frame, Meike 35 / 1.4 is already sharp at F / 1.4.
Sharpness
- F/1.4 lens has good resolution
- with aperture down to f/2.8 resolution becomes excellent
- there is a slight drop in sharpness towards the edges and corners of the frame, but even in the far corners of the frame at F / 1.4 the lens holds up much better than many similar lenses
- good contrast
- small coma
Distortion
- there is a small barrel-shaped distortion
- distortion is unified, easy to edit in the editor
Vignetting
- weak vignetting on f / 1.4
- vignetting decreases with focus towards MDF. Most noticeable when focusing on infinity
- vignetting almost completely disappears at F / 2.8
- vignetting easily fixable in the editor
Aberration
- there is a noticeable amount of chromatic aberration
- chromatic aberration very strong at the edges and corners of the image
- even on heavily covered apertures, images remain in the corners chromatic aberration
- there is a noticeable frigging (the color of contrasting elements in the out-of-focus area is purple or green)
Rest
- on covered apertures it is easy to achieve the effect of an 18-ray star (example on f / 16)
- from bright light sources you can get a lot of glare (example on f / 8)
- the lens can produce pleasing bokeh (example on f / 1.4)
Important: at the time of writing this review, there was no Meike 35 / 1.4 profile for popular RAW converters. You can create a profile yourself or wait for its release.
Sample Photos
All photos in the review are shown without processing. Camera used Sony a3500 (Sony Exmor APS-C HD CMOS sensor at 20 MP). All photos are JPEG taken in camera. Some photos suffered due to the effect bokeh degradation at fast shutter speeds and wide apertures during EFCS (Y Sony a3500 EFCS cannot be turned off).
Original JPEG ('.jpg) images can be download / watch this link (80 files, GOOGLE DRIVE). RAW (Sony '.ARW') original photos can be download / watch this link (25+ files, GOOGLE DRIVE). Sony a3500 I can’t shoot exclusively in RAW format, but only in RAW + JPEG or JPEG, because most of the pictures I took were made in JPEG.
My experience
Meike 35 / 1.4 - manual alternative to native Sony E 35 / 1.8 OSS, as well as an alternative for many autofocus counterparts, such as Sigma C 30 / 1.4 [overview], Viltrox 33 / 1.4 и Tokina 33 / 1.4. First of all, Meike 35 / 1.4 is used for everyday, creative and artistic photo tasks, including can be used with a stretch for portrait shooting. The creative potential of Meike 35/1.4 is very high.
I can safely recommend it to anyone looking to get an inexpensive, fast, versatile lens for their mirrorless crop camera.
TTArtisan 35 / 1.4, 7Artisans 35 / 1.4 or Meike 35/1.4? All three are very interesting. Personally for me 7Artisans 35 / 1.4 was the most enjoyable.

Meike 1.4/35 Multi Coated (for MILC, APS-C, Sony E) and Nikon Nikkor-S Auto 1: 1.2 f = 55mm
Alternatives
Meike 35 / 1.4 is a super-budget replacement for autofocus cropped lenses for mirrorless cameras:
- Sony 35 / 1.8 OSS (for Sony E mount)
- Canon 32 / 1.4 STM (for Canon EF-M mount)
- Zeiss 32 / 1.8 Toit (Planar) (for Sony E and Fujifilm X mounts)
- Sigma 30 / 1.4 DC DN (for Sony E, Canon EF-M and Micro 4/3 mount)
- felttrox 33 / 1.4 STM (for Sony E, Canon EF-M, Fujifilm X, Nikon Z mounts)
- fujinon 35 / 1.4 XF R (for Fujifilm X mount)
- fujinon 35/2 XF R WR (for Fujifilm X mount)
- fujinon 35/2XC (for Fujifilm X mount)
- tokina 33 / 1.4 atx-m (for Fujifilm X, Sony E mounts)
- Nikon 1 Nikkor 32/1.2 N
- Do you know any other similar high-aperture autofocus lenses for cropped mirrorless cameras? Please indicate them in the comments, I will add to the list
Similar manual focus lenses and similar aperture for mirrorless crop cameras with APS-C sensor, there are already quite a few. Alternatively, I would point out the following options:
- TTArtisan 35 / 1.4
- 7Artisans 35 / 1.4
- Meike 35 / 1.7
- Pergear 35 / 1.6
- 7Artisans 35 / 1.2 и 7Artisans II 35 / 1.2
- 7Artisans 35 / 0.95
- Zhongyi SpeedMaster 35 / 0.95
- Samyang 35 / 1.2
- Neewer 35 / 1.2, Neewer 32 / 1.6 и Neewer 35 / 1.7
- Brightin Star 35 / 1.2 и Brightin Star 35 / 1.7
- Laowa 33 / 0.95

Meike 1.4/35 Multi Coated (for MILC, APS-C, Sony E) and Nikon Nikkor-S Auto 1: 1.2 f = 55mm
All Sony E-mount cameras with APS-C sensor
- NEX-3, NEX-C3, NEX-F3, NEX-3Women
- NEX-5, NEX-5N, NEX-5R, NEX-5T
- NEX-6, NEX-7
- a3000, a3500
- a5000, a5100
- a6000, a6100, a6300, a6400, a6500, a6600, a6700
- ZV-E10, ZV-E10 II
- FX30
- QX1
- Hasselblad lunar
All Sony E lenses for APS-C
Fix Lenses:
- Sony 11 mm f/1.8 (announcement) [2022, black, BHphotovideo]
- Sony 15 mm f / 1.4 G (announcement) [2022, black, BHphotovideo]
- Sony 16 mm f/2.8 (overview) [2010, silver, BHphotovideo]
- Sony 20 mm f/2.8 (announcement) [2013, silver, BHphotovideo]
- Sony 24 mm f / 1.8 ZEISS ZA (overview) [2011, black, BHphotovideo]
- Sony 30 mm f / 3.5 MACRO (overview) [2011, silver, BHphotovideo]
- Sony 35 mm f / 1.8 Health Care (announcement) [2012, black, BHphotovideo]
- Sony 50 mm f / 1.8 Health Care (announcement) [2011, black/silver, BHphotovideo]
Zoom Lenses:
- Sony 10-18mm f / 4 Health Care (announcement) [2012, black, BHphotovideo]
- Sony 10-20mm f / 4 G PZ (announcement) [2022, black, BHphotovideo]
- Sony 16-50mm f / 3.5-5.6 PZ Health Care (overview) [2012, black/silver, BHphotovideo]
- Sony 16-50mm f / 3.5-5.6 PZ OSS II (announcement) [2024, black/silver, BHphotovideo]
- Sony 16-55mm f / 2.8 G (overview) [2019, black, BHphotovideo]
- Sony 16-70mm f / 4 Health Care ZEISS ZA (overview) [2013, black, BHphotovideo]
- Sony 18-50mm f/4-5.6 (overview) [2014, black]
- Sony 18-55mm f / 3.5-5.6 Health Care (overview) [2010, black/silver, BHphotovideo]
- Sony 18-105mm f / 4 G PZ Health Care (overview) [2013, black, BHphotovideo]
- Sony 18-110mm f / 4 G PZ Health Care (announcement) [2016, black, BHphotovideo]
- Sony 18-135mm f / 3.5-5.6 Health Care (overview) [2018, black, BHphotovideo]
- Sony 18-200mm f / 3.5-6.3 Health Care (overview) [2010, silver, BHphotovideo]
- Sony 18-200mm f / 3.5-6.3 Health Care LE (overview) [2012, black, BHphotovideo]
- Sony 18-200mm f / 3.5-6.3 PZ Health Care (announcement) [2012, black, BHphotovideo]
- Sony 55-210mm f / 4.5-6.3 OSS (announcement) [2011, black/silver, BHphotovideo]
- Sony 70-350mm f/4.5–6.3 G OSS (announcement) [2019, black, BHphotovideo]
Third-party autofocus lenses for Sony E APS-C:
- Sigma: Sigma C 16 / 1.4 | Sigma A 19 / 2.8 | Sigma EX 19 / 2.8 | Sigma C 30 / 1.4 | Sigma EX 30 / 2.8 | Sigma A 30 / 2.8 | Sigma C 56 / 1.4 | Sigma A 60 / 2.8 | Sigma C 10-18 / 2.8 | Sigma C 18-50 / 2.8
- felttrox: Viltrox 13 / 1.4 | Viltrox 23 / 1.4 | felttrox 27/1.2 | Viltrox 33 / 1.4 | Viltrox 35 / 1.7 | Viltrox 56 / 1.7 | Viltrox 56 / 1.4 | felttrox 75/1.2
- Tamron: Tamron 11-20 / 2.8 | Tamron 17-70 / 2.8 VC | Tamron 18-200 / 3.5-6.3 VC | Tamron 18-300 / 3.5-6.3 VC
- tokina: Tokina 23 / 1.4 | Tokina 33 / 1.4 | Tokina 56 / 1.4 | Tokina 11-18 / 2.8
- Zeiss: Zeiss Touit Distagon 12/2.8 | Zeiss Touit Planar 32/1.8 | Zeiss Touit Makro Planar 50/2.8M
- Hasselblad: Hasselblad E 3.5-5.6 / 18-55 OSS LF | Hasselblad E 3.5-6.3 / 18-200 OSS LF | Hasselblad E 2.8 / 16 LF
- yongnuo: Yongnuo 11 / 1.8 | Yongnuo 16 / 1.8 | Yongnuo 23 / 1.4 | Yongnuo 33 / 1.4 | Yongnuo 50 / 1.8 | Yongnuo 50 / 1.8 II | Yongnuo 56 / 1.4
- TTArtisan: TTArtisan 27 / 2.8 | TTArtisan 35 / 1.8 | TTArtisan 35/1.8 II | TTArtisan 56 / 1.8
- SIRUI: Sirui 16/1.2, Sirui 23/1.2, Sirui 33/1.2, Sirui 56/1.2, Sirui 75/1.2
- Brightin star: Brightin Star 50 / 1.4
- Meike: Meike 33 / 1.4 | Meike 55 / 1.4
- 7Artisans: 7Artisans 27 / 2.8
- Samyang: Samyang 12 / 2
- Ulanz: 27/2.8
- Jintu: 27/2.8
Many interesting manual solutions are provided by Chinese manufacturers and brands. 7Artisans, TTartisan, Meike, Neewer, PerGear, Kamlan, Brightin star, Mitakon Zhongyi, Venus laowa, Fujian, ARTRALAB, AstrHori other. Autofocus Speed Boosters are also interesting Viltrox Canon EF -> Sony E 0.71X и Metabones Canon EF -> Sony E 0.71X... List of full-frame cameras and lenses Sony FE (Full Frame E) here
Review on Youtube
Price
Meike 35/1.4 costs around $90. The easiest way buy Meike 35/1.4 at Aliexpress.comFor example, here at this link.
Results
Meike 35/1.4 has a good price/quality ratio. For amateur photographers, it should be an excellent solution as a manual standard lens for every day.
10 main advantages
- low price tag (total about 90 dollars)
- maximum aperture F / 1.4 (very high aperture)
- convenient focal length for working on cameras with an APS-C sensor (EGF about 50 mm)
- good build quality: the lens barrel is completely made of metal, including a metal bayonet mount and a metal front cover
- smooth focusing ring, stroke is 1/2 of a full turn
- compact dimensions, filter diameter only 49 mm
- nine aperture blades
- smooth aperture adjustment
- there is a depth of field scale, a focus distance scale
- good sharpness in the center of the frame starting from F / 1.4
10 main disadvantages
- no autofocus (for example, a super-budget Yongnuo 50mm 1:1.8 DA DSM S [for Sony E APS-C] have auto focus)
- small step at the aperture ring between apertures F / 4-F / 16
- the aperture control ring is very easy to accidentally hook and knock down the set value
- no CPU pins to form the correct EXIF
- a sufficiently large MDF equal to 40 cm (for example, 7Artisans II 35 / 1.2 MDF is only 28cm)
- A threaded (non-bayonet) hood must be used, no hood included
- there is no lens profile for popular RAW converters, the lens is not 'hardwired' into modern cameras
- front cover without latches, easy to lose
- tangible chromatic aberration
- significant glare in the backlight
Comments on this post do not require registration. Anyone can leave a comment.
Material prepared Arkady Shapoval.
The picture is nice. And the photos with backlight are not bad, it will be necessary to look how much it costs now
The most photogenic basket with apples :D
For red oak - a separate like
Thank you. Photos are good. Bokeh did not like it in some places.
For soft bokeh, this is necessary for other Chinese, at least for TT 50 / 1.2
Please note that the bokeh is poor at shutter speeds shorter than 1/1000 - this is due to the behavior of the camera shutter. Electronic shutter spoils the bokeh Yao remember this article by Arkady? At first I thought that this was the decentering of the lens lenses, and then I saw in the pictures that this was clearly due to the shading of a part of the disk that was out of focus, which was revealed in the behavior of Sony cameras with an electronic front shutter.
a strange decision - manual focusing ... who is the lens designed for: simple amateurs or pros? :-))) companies usually make commercial revenue on mass products for amateurs
there are practically no problems with bzk and manual focus, and the number of copies sold goes into space. We get a super cheap fast new lens. For example, the original 35 / 1,8 costs about 5 times more and is 2/3 steps darker.
Hello, I wrote a comment there, but under an old article, I want a cheap, but most importantly compact 35mm lens on Sony Crop, please tell me what should I take based on the price quality from Ali?
TTArtisan 35/1.4, 7Artisans 35/1.4 or Meike 35/1.4, I personally prefer 7Artisans 35/1.4
Thank you so much for the answer, I ordered 7artisance, it's a pity that it's not on sale, of course 🙂
I ordered MK1, but probably I needed MK2?
Options with 1.2 are twice as expensive, but as I understand it, no better?
The lens is designed for people who have nowhere to hurry, no matter - amateurs or pros.
In addition, in some cases, only manual focusing allows you to put the depth of field the way the photographer needs, and not the way the machine allowed.
I had these 7 Chinese partisans 35/1.4. Rare crap at wide open even on MIC. The blurriness towards the edges of the frame is such that it seems like you have vision problems. In the center, it’s not that good, but acceptable. I bought it to “drive” for a while, I wanted one for myself, but no, it’s not worth the money.
So did you have Make or 7artisan?
7Partisan, which is mentioned in the review as a priority competitor. If the “best” competitor turned out to be so bad, Meika is even afraid to try. Although it is possible that I got a crappy copy.
I got myself such a glass, curiosity won over common sense :)))
What can be said right off the bat:
1) The lens is optically much better than the above-mentioned 7Artisans 1,4/35 (I had one of these. Sold it as unsuitable for professional use)
2) The lens is sharp in the center when wide open. And contrasty. The edges are VERY MUCH. Especially if you compare it with the Nokton 25/0,95 at 1.4, although it is not quite an analogue.
3) The image field is crooked. It's not that it's a disadvantage, but this feature reduces the list of tasks for which it is suitable. And it should be taken into account.
4) Like many Chinese lenses, there is a skew of the optical axis. It is easy to notice when shooting something symmetrical, for example, an underground passage with columns. Not only the curved DOF line, but also its skew will be immediately visible. The same phenomenon is present on the Meika 35/1.8, I have it too. It is noteworthy that if you rotate the front lens around the optical axis, at a certain position the picture straightens out a little.
5) The aperture ring is too loose. Even if you don't touch it on purpose, after a dozen shots it ends up shifted to 2.0. I had to put some consistent grease (silicone) under it - it became tight and wouldn't shift.
6) The focusing ring has a barely noticeable longitudinal play. If you turn it carefully and do not press the ring during operation, it is not noticeable.
Overall, it should be suitable for “people against the background of beauty” scenes, where the people should be sharp and the beauty should be blurred but recognizable.
As a sharpness test, I took a photo of my daughter's doll with the lens open - very good for a price of under 8 thousand.
Full photo: