On October 14, 2022, the AstrHori GFX lens 40mm 1: 5.6 lens was announced.
AstrHori GFX lens 40mm 1:5.6
Basic properties
- For medium format mirrorless cameras with bayonet mount Fujifilm G и crop factor Kf = 0.79
- Focal Length: 40mm (EGF 32 mm)
- Relative Hole: 1: 5.6-1: 22
- MDF: 0.41 meters
- Optical design: 7 elements in 5 groups
- Diaphragm: 5 straight petals
- Filter Diameter: 62 mm
- Weight: 333 grams
- Price: about $290. Prices for AstrHori lenses can be viewed on Aliexpress from an authorized dealer
Appearance
AstrHori (RockStar R)
Medium Format FujiFilm GF/GFX:
- Astrhori 40/5.6 [GFX]
- Astrhori 55/5.6 [GFX]
- Astrhori 75/4 [GFX]
Full frame:
- Astrhori 12/2.8 Fisheye [Z, L, E, R + GFX]
- Astrhori 18/8 Shift [Z, L, E, R]
- Astrhori 28/13 Macro Probe 2:1 [DSLR Canon EF, Nikon F+PL+Z, L, FE, R+X, M+M4/3]
- AstrHori 28/13 Macro Probe 2:1 Mark II
- Astrhori 50/1.4 TILT [Z, E, R, L+X]
- Astrhori 50/2 [E, Z, L, R,+ X, M + M4/3]
- Astrhori 85/1.8 AUTO FOCUS [E,Z]
- Astrhori 85/2.8 Tilt macro [Z, L, E, R+X]
APS-C:
- Astrhori 10/8 Fisheye [Z, L, E, R, X, M + M4/3]
- Astrhori 10/8 Fisheye II [Z, L, E, X, M + M4/3]
- Astrhori 14/4.5 [Z, L, E, X, M + M4/3]
- Astrhori 18/8 Macro Probe 2:1 [EF, F + PL + Z, L, E, R + X, M + M4/3]
- Astrhori 27/2.8 [E, X, Z, M + M4/3]
- AstrHori 27/2.8II (overview) [E, X, Z, M + M4/3]
Leica M-mount:
- Astrhori 10/8 Fisheye [Leica M, APS-C]
- Astrhori 24/6.3 [Leica M, Full Frame]
- Astrhori 40/5.6 [Leica M, Full Frame]
AstrHori/RockStar lenses can be found on Aliexpress from an authorized dealer.
All mirrorless medium format cameras FUJIFILM GFX with sensors 43.8 X 32.9 mm (crop factor Kf=0.79X)
- FUJIFILM GFX 50R [September 2018]
- FUJIFILM GFX 50S [September 2016]
- FUJIFILM GFX 50S II [September 2021, AliExpress]
- FUJIFILM GFX 100 [May 2019 + IR modification]
- FUJIFILM GFX 100 II [September 2023]
- FUJIFILM GFX 100S [January 2021, AliExpress]
All FUJINON GF LENS Lenses
- 23 mm 1:4 R LM WR [April 2017]
- 30 mm 1:3.5 R WR [June 2020]
- 30 mm 1:5.6 T/S [September 2023]
- 45 mm 1:2.8 R WR [September 2017]
- 50 mm 1:3.5 R LM WR [July 2019]
- 55mm 1:1.7 R WR [September 2023]
- 63 mm 1:2.8 R WR [January 2017]
- 80mm 1:1.7 R WR [January 2021]
- 110 mm 1:2 R LM WR [April 2017]
- 110 mm 1:5.6 T/S MACRO [September 2023]
- 120 mm 1:4 R LM WR OIS MACRO [January 2017]
- 250 mm 1:4 R LM WR OIS [April 2018]
- 20-35 mm 1:4 R WR [September 2022]
- 32-64 mm 1:4 R LM WR [January 2017]
- 35-70 mm 1: 4.5-5.6 WR [September 2021]
- 45-100 mm 1:4 R LM WR OIS [January 2020 ]
- 100-200 mm 1:5.6 R LM WR OIS [January 2017]
Third party lenses with GFX mount
- MITAKON: 28/5.6 | 65/1.4 | 85/1.2 | 135/2.5 | 135/1.4 | 200/4 Macro
- laowa: 15/4.5 Shift | 17/4 | 19/2.8 | 20/4 Shift | NA0.5 Supermicro
- AstrHori: 12/2.8 Fisheye | 40/5.6 | 55/5.6 | 75/4
- TTArtisan: 11/2.8 Fisheye | 90/1.25
- Kipon: 75/2.4
- Irix: 45/1.4
Autofocus adapters and manual converters
- for CANON EF: Viltrox EF->G | STEELSRING EF->G | Fringer EF->G | Techart EF->G | Jintu EF-> GFX | FotoDiox EF->G
- for Nikon F: Fringer F->G
- Laowa Converter for CANON EF/NIKON F (to get rid of vignetting)
Materials on the topic
- Full frame mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems that have stopped or are no longer developing
- Digital SLR systems that have stopped or are no longer developing
- JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
- About mirrorless batteries
- Simple and clear medium format
- High-speed solutions from Chinese brands
- All fastest autofocus zoom lenses
- All fastest AF prime lenses
- Mirrored full frame on mirrorless medium format
- Autofocus Speed Boosters
- One lens to rule the world
- The impact of smartphones on the photography market
- What's next (smartphone supremacy)?
- All announcements and novelties of lenses and cameras
Material prepared Arkady Shapoval. Training/Consultations | Youtube | Facebook | Instagram | Twitter | Telegram
Dark pancake on quasi sf)
Quasi is not quasi, but the fact that such glass is unlikely to resolve a 100 megapixel matrix is a fact.
I wouldn't put this pancake on my GFX 50R.
The point of third-party manual lenses for medium format lies in their uniqueness and creative approach to working with them. And what is unique and creative about the 40 / 5,6 lens?
From what I personally tried on Fuji, I really liked the picture that the Mitakon Speedmaster 85 / 1,2 and TTartisan 90 / 1,25 gave; Fuji has no similar glasses.
I put on Fuji and TTArtisan 11 / 2,8, circular fisheye: glass completely incomprehensible for a medium format.
I'm afraid that the lens under discussion will raise the same question: what is it for?
For $300 you can buy an AF-adapter and a Canon 40/2.8 STM, which covers the matrix in the GFX quite well.
And this can be applied as a free cover to the GFX 50R, perhaps.
No, I don't need a free cover for nothing.
A Canon EF 40 / 2,8 STM with an AF adapter is available.