On October 14, 2022, the AstrHori GFX lens 40mm 1: 5.6 lens was announced.
AstrHori GFX lens 40mm 1:5.6
Basic properties
- For medium format mirrorless cameras with bayonet mount Fujifilm G и crop factor Kf = 0.79
- Focal Length: 40mm (EGF 32 mm)
- Relative Hole: 1: 5.6-1: 22
- MDF: 0.41 meters
- Optical design: 7 elements in 5 groups
- Diaphragm: 5 straight petals
- Filter Diameter: 62 mm
- Weight: 333 grams
- Price: about 290 dollars
Appearance
AstrHori
- AstrHori 12/2.8 Fisheye [Z, L, E, R + GFX]
- AstrHori 18/8 Shift [Z, L, E, R]
- AstrHori 28/13 Macro 2:1 [EF, F + PL + Z, L, E, R + X, M + M4/3]
- AstrHori 27/2.8II (overview) [E, X, Z, M, L, MFT]
- Astrhori 40/5.6 [GFX]
- AstrHori 50/1.4 TILT [Z, E, R, L + X]
- Astrhori 55/5.6 [GFX]
- AstrHori 75/4 [GFX, announcement pending]
- Astrhori 85/1.8 AF [IS]
- AstrHori 85/2.8 Tilt Macro [Z, L, E, R + X]
- AstrHori 105/2.8 Tilt-Shift Macro [Z, L, E, R + GFX, to be announced]
AstrHori/RockStar lenses can be found on Aliexpress from an authorized dealer.
All FUJINON GF LENS Lenses
- 23 mm 1:4 R LM WR
- 30 mm 1:3.5 R WR
- 45 mm 1:2.8 R WR
- 50 mm 1:3.5 R LM WR
- 63 mm 1:2.8 R WR
- 80mm 1:1.7 R WR
- 110 mm 1:2 R LM WR
- 120 mm 1:4 R LM WR OIS MACRO
- 250 mm 1:4 R LM WR OIS
- 20-35 mm 1:4 R WR
- 32-64 mm 1:4 R LM WR
- 35-70 mm 1: 4.5-5.6 WR
- 45-100 mm 1:4 R LM WR OIS
- 100-200 mm 1:5.6 R LM WR OIS
- Teleconverter GF1.4XTC WR
Marking:
- R (Ring) - a separate ring for iris control
- LM (Linear Motor) - linear focusing motor
- WR (Weather Resistant) - all-weather lens type
- OIS (Optical Image Stabilization) - built-in optical image stabilization
- Macro - Macro Lens
- TC (Teleconverter) - teleconverter
There are also manual solutions from third-party manufacturers:
- Irix 45/1.4
- TTArtisan 11/2.8 FISHEYE | 90 /1.25
- Mitakon 65 / 1.4 | 85/1.2 | 135 / 2.5
- Laowa 15/4.5 Shift | 17 / 4 | 19/2.8 | 20/4 Shift
- Kipon IBERIT 75/2.4
- AstrHori 12/2.8 Fisheye, Astrhori 40/5.6, Astrhori 55/5.6, Astrhori 75/4
- + autofocus adapters Viltrox EF->G | STEELSRING EF->G | Fringer EF->G | Techart EF->G
Materials on the topic
- Full frame mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems that have stopped or are no longer developing
- Digital SLR systems that have stopped or are no longer developing
- JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
- About mirrorless batteries
- Simple and clear medium format
- High-speed solutions from Chinese brands
- All fastest autofocus zoom lenses
- All fastest AF prime lenses
- Mirrored full frame on mirrorless medium format
- Autofocus Speed Boosters
- One lens to rule the world
- The impact of smartphones on the photography market
- What's next (smartphone supremacy)?
- All announcements and novelties of lenses and cameras
Material prepared Arkady Shapoval. Training/Consultations | Youtube | Facebook | Instagram | Twitter | Telegram.
Dark pancake on quasi sf)
Quasi is not quasi, but the fact that such glass is unlikely to resolve a 100 megapixel matrix is a fact.
I wouldn't put this pancake on my GFX 50R.
The point of third-party manual lenses for medium format lies in their uniqueness and creative approach to working with them. And what is unique and creative about the 40 / 5,6 lens?
From what I personally tried on Fuji, I really liked the picture that the Mitakon Speedmaster 85 / 1,2 and TTartisan 90 / 1,25 gave; Fuji has no similar glasses.
I put on Fuji and TTArtisan 11 / 2,8, circular fisheye: glass completely incomprehensible for a medium format.
I'm afraid that the lens under discussion will raise the same question: what is it for?
For $300 you can buy an AF-adapter and a Canon 40/2.8 STM, which covers the matrix in the GFX quite well.
And this can be applied as a free cover to the GFX 50R, perhaps.
No, I don't need a free cover for nothing.
A Canon EF 40 / 2,8 STM with an AF adapter is available.