On October 26, 2021, the Samyang AF 12/2 X lens was officially unveiled.
Basic properties
- FujiFilm X-mount crop lens for mirrorless cameras
- Samyang's first autofocus lens for FujiFilm X-mount cameras
- Relative opening: from 1: 2-1: 22
- Focal Length: 12mm (EGF for FujiFilm cameras with X mount and APS-C sensor is 18mm)
- MDF: 0.2 meters
- Maximum magnification ratio 1: 11.1
- Optical design: 12 elements in 10 groups, including 1 H-ASP, 1 ASP, 2 ED. The optical design is similar to the Samyang AF 12/2 E model for Sony E cameras
- Ultra Multi-Coating (UMC) Coating
- Number of aperture blades: 7 pieces
- Filter Diameter: 62 mm
- STM focus motor, internal focusing
- Included hood
- Protected enclosure
- Weight: 212 gram
- Price: about 400 dollars
Appearance
All Samyang Auto Focus Lenses
For mirrorless full frame cameras Sony (AF-FE)
- 14mm f / 2.8August 2016
- 18mm f / 2.8August 2019
- 21mm F/3.5 Remaster Slim ModuleAugust 2024
- 24mm f / 2.8, June 2018
- 24mm f / 1.8, April 2021
- 28mm F/3.5 Remaster Slim ModuleAugust 2024
- 32mm F/2.8 Remaster Slim ModuleAugust 2024
- 35mm f / 2.8, June 2017
- 35mm f / 1.8, September 2020
- 35mm f / 1.4, October 2017
- 35mm f / 1.4 IIMarch 2022
- 45mm f / 1.8, May 2019
- 50mm f / 1.4, May 2016
- 50mm f / 1.4 IINovember 2021
- 75mm f / 1.8, April 2020
- 85mm f / 1.4March 2019
- 85mm f / 1.4 II, July 2022
- 135mm f / 1.8January 2022
- 24-70mm f/2.8, October 2021
- 35-150mm F / 2-2.8, April 2023
For mirrorless full frame cameras Leica l
- 35-150mm F / 2-2.8, June 2024
Cinema lenses for Sony (V-AF FE)
- 20/T1.9V-AF, 2023
- 24/T1.9V-AF, 2022
- 35/T1.9V-AF, 2022
- 45/T1.9V-AF, 2023
- 75/T1.9V-AF, 2022
- 100/T2.3V-AF, 2023
For mirrorless full frame cameras Canon (AF RF)
- 14mm f / 2.8, October 2019
- 85mm f / 1.4, May 2020
For SLR full-frame cameras Canon (AF EF)
- 14mm f / 2.8January 2018
- 85mm f / 1.4, June 2018
For SLR full-frame cameras Nikon (AF F)
- 14mm f / 2.8August 2018
- 85mm f / 1.4, April 2019
For mirrorless cropped cameras Sony (AF E)
- 12mm f / 2, April 2021
For mirrorless cropped cameras FujiFilm (AF X)
- 12mm f / 2, October 2021
- 75mm f / 1.8, February 2023
Materials on the topic
Fixes:
- 8 mm 1:3.5 XF-R WR
- 14 mm 1:2.8 XF-R
- 16 mm 1:1.4 XF-R WR Nano-gi
- 16 mm 1:2.8 XF-R WR (black/silver)
- 18 mm 1:1.4 XF-R WR LM
- 18 mm 1:2 XF (R)
- 23 mm 1:1.4 XF-R
- 23 mm 1:1.4 XF-R WR LM
- 23 mm 1:2 XF-R WR (black/silver)
- 27 mm 1:2.8 XF (black/silver)
- 27 mm 1:2.8 XF-R WR
- 30 mm 1:2.8 XF-R WR LM MACRO
- 33 mm 1:1.4 XF-R WR LM
- 35 mm 1:1.4 XF (R)
- 35 mm 1:2 XC
- 35 mm 1:2 XF-R WR (black/silver)
- 50 mm 1:1 XF-R WR
- 50 mm 1:2 XF-R WR (black/silver)
- 56 mm 1:1.2 XF-R
- 56 mm 1:1.2 XF R APD
- 56 mm 1:1.2 XF-R WR
- 60 mm 1:2.4 XF (R) (MACRO)
- 80 mm 1:2.8 XF-R LM OIS WR MACRO
- 90 mm 1:2 XF-R LM WR (Non Aspherical)
- 200 mm 1:2 XF-R LM OIS WR (Non Aspherical)
Zuma:
- 8-16mm 1:2.8 XF-R LM WR Nano-gi
- 10-24mm 1:4 XF-R OIS
- 10-24mm 1:4 XF-R OIS WR
- 15-45mm 1: 3.5-5.6 XC OIS PZ (black/silver)
- 16 50 1: 3.5-5.6 XC OIS (black/silver)
- 16 50 1: 3.5-5.6 XC OIS II (black/silver)
- 16-50mm 1:2.8-4.8 XF R LM WR
- 16-55mm 1:2.8 XF-R LM WR Nano-gi
- 16-80mm 1:4 XF-R OIS WR
- 18-55mm 1:2.8-4 XF R LM OIS
- 18-120mm 1: 4 XF LM PZ WR
- 18-135mm 1:3.5-5.6 XF R LM OIS WR
- 50-140mm 1:2.8 XF-R LM OIS WR Nano-gi (Non Aspherical)
- 50-230mm 1: 4.5-6.7 XC OIS (black/silver)
- 50-230mm 1: 4.5-6.7 XC OIS II (black/silver)
- 55-200mm 1:3.5-4.8 XF R LM OIS
- 70-300mm 1:4-5.6 XF R LM OIS WR
- 100-400mm 1:4.5-5.6 XF R LM OIS WR (Non Aspherical)
- 150-600mm 1:5.6-8 XF R LM OIS WR (Non Aspherical)
Legend:
- XF - Advanced Fujifilm X Lenses
- XC - budget, lightweight and compact lenses for the Fujifilm X mount. A distinctive feature is the absence of an aperture control ring. There is no other ring like this. 27/2.8XF.
- SUPER EBC (Electron Beam Coating) - Electron Beam Coating Optics
- Nano-GI (Nano Gradient Index) - a special nano-enlightenment optics that changes the refractive index at the junction of glass and air
- OIS (Optical Image Stabilization) - built-in optical image stabilization
- R (Ring) - a separate ring for iris control
- LM (Linear Motor) - linear focusing motor
- WR (Weather Resistant) - all-weather lens type
- Ashperical - aspherical elements in the optical scheme of the lens
- Non-Aspherical - aspherical elements are not used in the optical design (only for five lenses: 90/2, 200/2, TBU, 100-400/4.5-5.6 и 150-600/5.6-8)
- Macro - Macro Lenses
- APD(Apodization) - lens with internal non-removable gradient filter
- PZ (Power Zoom) - electronic zoom
- Cinema - lenses designed for movie shooting
- II - the second version of the lens
- Black/Silver - the lens is available in a choice of black or silver body
- MKX CINE - a line of lenses for cinematography (without autofocus), includes only 2 solutions: FUJINON MKX CINE ZOOM LENS 18-55mm T2.9 and FUJINON MKX CINE ZOOM LENS 50-135mm T2.9
For Fujifilm X there are also autofocus lenses from third-party manufacturers:
- Viltrox 13 / 1.4 | Viltrox 20 / 2.8 | Viltrox 23 / 1.4 | Viltrox 27 / 1.2 | Viltrox 33 / 1.4 | Viltrox 56 / 1.4 | Viltrox 56 / 1.7 | Viltrox 75 / 1.2 | Viltrox 85/1.8 PFU | Viltrox 85/1.8II
- Sigma C 16 / 1.4| Sigma C 23 / 1.4 | Sigma C 30 / 1.4 | Sigma C 56 / 1.4 |Sigma C 10-18 / 2.8 | Sigma C 18-50 / 2.8 | Sigma C 100-400/5-6.3
- Tamron 11-20 / 2.8 | Tamron 17-70 / 2.8 VC | Tamron 18-300 / 3.5-6.3 VC | Tamron 150-500 / 5-6.7 VC
- TTArtisan 27 / 2.8 | TTArtisan 32 / 2.8 | TTArtisan 35 / 1.8 | TTArtisan 56 / 1.8
- Zeiss Touit 12 / 2.8 | Zeiss Touit 32 / 1.8 | Zeiss Touit 50 / 2.8 Macro
- Tokina 23 / 1.4 | Tokina 33 / 1.4 | Tokina 56 / 1.4
- Yongnuo 11 / 1.8 | Yongnuo 50/1.8 PRO | Yongnuo 50 / 1.8
- Samyang 12 / 2 | Samyang 75/1.8
- Meike 33 / 1.4 | Meike 55 / 1.4 | Meike 85 / 1.8
- Brightin Star 50 / 1.4
- Astrhori 27/2.8
All Fujifilm X APS-C Interchangeable Lens Digital Mirrorless Cameras
- X Pro1, X Pro2, X Pro3
- X-T1, X-T2, X-T3, X-T4, X-T5
- X-T10, X-T20, X-T30, X-T30II, X-T50
- X-S10, X-S20
- X-T100, X-T200
- X-E1, X-E2, X-E2s, X-E3, X-E4
- X-M1
- X-A1, X-A2, X-A3, X-A5, X-A7
- X-A20
- X-H1, X-H2S, X-H2
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Material prepared Arkady Shapoval.
I started to think a little that I shouldn't have left the Fuji system ...