On September 2, 2021, the FUJINON GF LENS 35-70mm 1: 4.5-5.6 WR lens was announced.
FUJINON GF LENS 35-70mm 1: 4.5-5.6 WR
Basic properties
- For medium format mirrorless cameras with Fujifilm G mount and crop factor Kf = 0.79
- Focal length: 35-70 mm (EGF 28-55mm)
- Относительное отверстие: 1:4.5/1:5.6-1:32
- MDF: 0.35 meters
- Maximum magnification ratio 1: 3.6
- Optical design: 11 elements in 9 groups, with two ED elements and two aspherical elements
- Aperture: 9 rounded blades
- Filter Diameter: 62 mm
- Protected enclosure
- Weight: 440 gram
- Price: about 1000 dollars. All prices for modern Fujifilm lenses can be viewed here.
Appearance
All FUJINON GF LENS Lenses
- 23 mm 1:4 R LM WR
- 30 mm 1:3.5 R WR
- 45 mm 1:2.8 R WR
- 50 mm 1:3.5 R LM WR
- 63 mm 1:2.8 R WR
- 80mm 1:1.7 R WR
- 110 mm 1:2 R LM WR
- 120 mm 1:4 R LM WR OIS MACRO
- 250 mm 1:4 R LM WR OIS
- 20-35 mm 1:4 R WR
- 32-64 mm 1:4 R LM WR
- 35-70 mm 1: 4.5-5.6 WR
- 45-100 mm 1:4 R LM WR OIS
- 100-200 mm 1:5.6 R LM WR OIS
- Teleconverter GF1.4XTC WR
Marking:
- R (Ring) - a separate ring for iris control
- LM (Linear Motor) - linear focusing motor
- WR (Weather Resistant) - all-weather lens type
- OIS (Optical Image Stabilization) - built-in optical image stabilization
- Macro - Macro Lens
- TC (Teleconverter) - teleconverter
There are also manual solutions from third-party manufacturers:
- Irix 45/1.4
- TTArtisan 11/2.8 FISHEYE | 90 /1.25
- Mitakon 65 / 1.4 | 85/1.2 | 135 / 2.5
- Laowa 15/4.5 Shift | 17 / 4 | 19/2.8 | 20/4 Shift
- Kipon IBERIT 75/2.4
- AstrHori 12/2.8 Fisheye, Astrhori 40/5.6, Astrhori 55/5.6, Astrhori 75/4
- + autofocus adapters Viltrox EF->G | STEELSRING EF->G | Fringer EF->G | Techart EF->G
Materials on the topic
- Full frame mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems that have stopped or are no longer developing
- Digital SLR systems that have stopped or are no longer developing
- JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
- About mirrorless batteries
- Simple and clear medium format
- High-speed solutions from Chinese brands
- All fastest autofocus zoom lenses
- All fastest AF prime lenses
- Mirrored full frame on mirrorless medium format
- Autofocus Speed Boosters
- One lens to rule the world
- The impact of smartphones on the photography market
- What's next (smartphone supremacy)?
- All announcements and novelties of lenses and cameras
Material prepared Arkady Shapoval. Training/Consultations | Youtube | Facebook | Instagram | Twitter | Telegram.
If you translate it into a full frame, is it 24-45 \ 2.8-4? Why is it better than a full-frame 24-70 \ 2.8
Probably because the full-frame 24-70 will be difficult to use on the Fuji G.
analogue 28-55 / 3.5-4.5
it is better that the vignette will not be given on GFX cameras
I mean that the full frame is a very balanced solution with its fast fixes and light reportage zooms on one side. But the price of the carcass approached the price of the canon R5, and the top-end A1 from Sonev is one and a half times more expensive than this medium format
And the Fujifilm GFX 50S II lacks phase detection autofocus, making full frame even more preferable.
Preferred for what? Anyone who needs a picture and a medium format resolution will not even look at a full frame. Who needs a light travel camera - the same thing.
Everything is bought according to their tasks.
That's right, fuji crop and fuji sf, and ff nafig is not needed with such prices :-)
A Fuji crop with optics is not much cheaper than Full Frame.
And Fuji generally know how to make high-aperture glasses, or again for 1k bucks they are trying to sell not only that dark glass, but also with a variable aperture?
they definitely have a lot of high-aperture optics: 56 \ 1.2, 50 \ 1.0 for example, and a lot of optics with 1.4 for crop. Well, this one for the medium format is generally inexpensive. Aperture for medium format 80mm 1: 1.7 R WR and 110mm 1: 2 R LM WR analog 64 \ 1.2 and 88 \ 1.4 for a full frame approx. Buy this kit in a set plus one of the high-aperture ones and here's your happiness if you are not yet ruined
Yes, I'm more about zooms) Zooms - all of them are dark. But you really want to attach something with a constant aperture to your X-T1 so that you can shoot a reportage normally.
So is there 16-55? Not that dark.
x-t1 and this lens - you want to create a monster!
This is a medium format, and Fuji has the lightest fix for a medium format. In terms of this lens, it is the same as 28-50 / 2,8-4 at full frame.
So still 2.8-4 or 3.5-4.5? :)
3.5-4.5