Announcement: Voigtlander NOKTON 35mm F1.2

July 15, 2021 was official submitted Voigtlander NOKTON 35mm F1.2 lens.

Voigtlander NOKTON 35mm F1.2

Voigtlander NOKTON 35mm F1.2

Basic properties

  • For Fujifilm Mirrorless APS-C Cameras with X Mount
  • First Voigtlander (Cosina) lens for X-mount cameras
  • Manual focus only
  • Microprocessor contacts, forming EXIF
  • Relative Hole: 1: 1.2-1: 16
  • Focal Length: 35 mm (EGF 52.5 mm)
  • MDF: 30 centimeters
  • Maximum magnification ratio 1: 4.5
  • Optical design: 8/6
  • Aperture: 12 rounded blades
  • Aperture control ring
  • Filter Diameter: 46 mm
  • Weight: 196 gram
  • Price: about $ 700. All prices for modern Voigtlander lenses can be viewed here... An interesting line of Voigtlander Nokton lenses with aperture PM1:0.95 here.

All original Fujinon X-mount lenses

Fixes:

  1. 14 mm 1: 2.8 XF R
  2. 16 mm 1: 1.4 XF R WR Nano-gi
  3. 16 mm 1: 2.8 XF R WR
  4. 18 mm 1: 1.4 XF R WR LM
  5. 18 mm 1: 2 XF R
  6. 23 mm 1: 1.4 XF R
  7. 23 mm 1: 2 XF R WR
  8. 27 mm 1: 2.8 XF
  9. 27 mm 1: 2.8 XF R WR
  10. 35 mm PM1:2 XC
  11. 35 mm 1: 2 XF R WR
  12. 35 mm 1: 1.4 XF R
  13. 50 mm 1: 2 XF R WR
  14. 50 mm 1: 1 XF R WR
  15. 56 mm 1: 1.2 XF R
  16. 56 mm 1: 1.2 XF R APD
  17. 60 mm 1: 2.4 XF Macro R
  18. 80 mm 1: 2.8 XF R LM OIS WR MACRO
  19. 90 mm 1: 2 XF R LM WR
  20. 200 mm 1: 2 XF R LM OIS WR

Zuma:

  1. 8-16 mm 1: 2.8 XF R LM WR Nano-gi
  2. 10-24 mm 1: 4 XF R OIS
  3. 10-24 mm 1: 4 XF R OIS WR
  4. 15-45 mm 1: 3.5-5.6 XC OIS PZ
  5. 16-50 1: 3.5-5.6 XC OIS
  6. 16-50 1: 3.5-5.6 XC OIS II
  7. 16-55 mm 1: 2.8 XF R LM WR Nano-gi
  8. 16-80 mm 1: 4 XF R OIS WR
  9. 18-55 mm 1: 2.8-4 XF R LM OIS
  10. 18-55 mm T2.9 MKX Cinema
  11. 18-135 mm 1: 3.5-5.6 XF R LM OIS WR
  12. 50-140 mm 1: 2.8 XF R LM OIS WR Nano-gi
  13. 50-135 mm T2.9 MKX Cinema
  14. 50-230 mm 1: 4.5-6.7 XC OIS
  15. 50-230 mm 1: 4.5-6.7 XC OIS II
  16. 55-200 mm 1: 3.5-4.8 XF R LM OIS
  17. 70-300 mm 1: 4-5.6 XF R LM OIS WR
  18. 100-400 mm 1: 4.5-5.6 XF R LM OIS WR

Legend:

  • XF - Advanced Fujifilm X Lenses
  • XC - budget, lightweight and compact lenses for Fujifilm X mount
  • SUPER EBC (Electron Beam Coating) - Electron Beam Coating Optics
  • Nano-GI (Nano Gradient Index) - a special nano-enlightenment optics that changes the refractive index at the junction of glass and air
  • OIS (Optical Image Stabilization) - built-in optical image stabilization
  • R (Ring) - a separate ring for iris control
  • LM (Linear Motor) - linear focusing motor
  • WR (Weather Resistant) - all-weather lens type
  • Ashperical - aspherical elements in the optical scheme of the lens
  • Macro - Macro Lenses
  • APD (Apodization) - lens with an internal non-removable gradient filter
  • PZ (Power Zoom) - electronic zoom
  • Cinema - lenses designed for movie shooting
  • II - second version of the lens

For Fujifilm X there are also autofocus lenses from third-party manufacturers:

All Fujifilm X Interchangeable-lens Digital Mirrorless Cameras

It is also worth mentioning about medium format FUJIFILM GFX interchangeable-lens mirrorless cameras: GFX 100 / GFX 100 IR, Gfx 100s, Gfx 50s, Gfx 50r... And also about old SLR cameras with APS-C sensor of the Fujifilm FinePix PRO line: S1 Pro, S2 Pro, S3 Pro / S3 Pro UVIR, S5 Pro / IS Pro.

Materials on the topic

  1. Full frame mirrorless systems... Discussion, choice, recommendations.
  2. Cropped mirrorless systems... Discussion, choice, recommendations.
  3. Cropped mirrorless systems that have stopped or are no longer developing
  4. Digital SLR systems that have stopped or are no longer developing
  5. JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
  6. About mirrorless batteries
  7. Simple and clear medium format
  8. High-speed solutions from Chinese brands
  9. All fastest autofocus zoom lenses
  10. All fastest AF prime lenses
  11. Mirrored full frame on mirrorless medium format
  12. Autofocus Speed ​​Boosters
  13. One lens to rule the world
  14. The impact of smartphones on the photography market
  15. What's next (smartphone supremacy)?
  16. All announcements and novelties of lenses and cameras

Comments on this post do not require registration. Anyone can leave a comment. For the selection of a variety of photographic equipment, I recommend E-Catalog, Socket, M.videoand ebay и AliExpress.

Material prepared Arkady Shapoval... Look for me on Youtube | Facebook | VK | Instagram | Twitter | 500px.

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Comments: 7, on the topic: Announcement: Voigtlander NOKTON 35mm F1.2

  • Victor

    Well, this ... Non-autofocus 1.2 for 700 dollars in the presence of 1.4 native for the same money, but autofocus is a dubious purchase.

    • Arkady Shapoval

      The native does not have the inscription "Voigtlander NOKTON"

      • Victor

        Does this work in much the same way as the magic of the German red circle? Then I agree, the native simply has no chance ((

        • Arkady Shapoval

          That's what I wrote about. It's a pity the red circle is even more expensive

  • Juozas M.

    Nedavno ja kupil Voigtlander NOKTON 58mm / f1,4 dlia Nikon. Ochen` interestnij objektiv so svoim specificheskim spektrom. Eti objektivi prednaznacheni iskliuchitelno dlia tvorcheskix zadach. Ochen` visokoe kachestvo sborki.

  • Aleksey68

    curious, is there an aspheric in its optical scheme?

  • alexey_laa

    Clarification about apodization. A gradient filter in a photo is usually a special filter that evens out the exposure for the top and bottom half of the frame (for example, sky and forest). For apodization, a filter is used, in which the central light part smoothly turns into a dark one near the edge. The diaphragm with a smooth (gradient) edge also works. I read somewhere earlier that in nature, apodization is used in the device of vision, and this allows the eye to normally see an object next to a bright light source in the field of view, i.e. the light from the source does not obstruct the image. APD filters for photos give the effect of discs of unsharpness with a smooth (gradient) edge, this can be seen in the examples of photos in the descriptions of the filters. Perhaps they also help from being blocked by a strong light source near the subject in the field of view.

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