For the provided lens 35KP-1,8 / 70 many thanks Konstantin Puchkov.
35KP-1,8 / 70
In short
35KP-1,8 / 70 - Soviet film projection lens, manufactured at the Izyum Dzerzhinsky Instrument-Making Plant. On the case there is a quality mark and the inscription 'GOST 3840-79'. Nowadays it can be used as a creative lens after appropriate adaptation.
Cinema projection lenses are prized for their exclusive image character. 35KP-1,8 / 70 turned out to be sharp and creates a pleasant picture with the character inherent in planars. In my opinion, this is one of the best film projection and cinema lenses in the family of their kind. Of the obvious shortcomings - tangible chromatic aberration and not the best backlit work requiring a lens hood.
Appearance
The lens consists of only one massive lens unit and requires adaptation for use on modern digital cameras. A sufficiently long flange distance allows the 35KP-1,8 / 70 to be adapted for both mirrorless and SLR cameras.
Sample Photos
Sample photos with original RAW files were helped by the photographer Natalya romanenko (instagram). Convert RAW source files with Nikon D700 original utility Nikon Capture NX-D v 1.4.6. The lens does not have an aperture, and therefore you can always shoot exclusively at F / 1.8.
You can download the original photos in JPEG format. at this link, in RAW format at this link.
All reviews of film projection and filming lenses:
- RO3-3M 2/50
- PO 500-1 F9 CM. 1: 2 P (review from the reader)
- 2/92
- F = 92 1: 2
- ОКП-6-70-1 F=70 1:1,8
- LOMO RO501-1 F = 100 1: 2 (+ materials from the reader)
- LOMO RO500-1 F = 90 1: 2
- 16KP-1,4 / 65 (review from the reader)
- 35KP-1,8 / 70
- 35KP-1,8 / 75 (review from the reader)
- 35KP-1,8 / 85
- 35KP-1.8 / 120 (review from the reader)
- 35KP-1.8 / 100 (review from the reader)
- LOMO P-5 F = 90 1: 2 (review from the reader)
- LOMO P-5 F = 100 1: 2 (review from the reader)
- LOMO OKS1-22-1 F = 22 1: 2.8 (review from the reader)
- ЛОМО ОКС1-40-1 40/2.5 (review from the reader)
- LOMO OKS1-300-1 F = 300 1: 3.5 (review from the reader)
- LOMO OKS11-35-1 F = 35 1: 2 (review from the reader)
- LOMO J-53 F = 75 1: 2 (review from the reader)
- LOMO J-54 F = 85 1: 2 (review from the reader)
- LOMO OKP4-80-1 F=80 1:1,8 (reader's review)
- Tair-41 50/2 (review from the reader)
- KO-120 1: 2,1 120mm
- KO-90 1: 1,9 F = 9cm (review from the reader)
- KO-120M 1: 1.8 F = 120mm (review from the reader)
- KO-120M 120 / 1.8 with a diaphragm and helicoid (review from the reader)
- KO-120 1: 2.1 F = 12cm (review from the reader)
- LENKINAP RO500-1 F = 9cm 1: 2 P (review from the reader)
- LENKINAP OKS1A-75-1 F=75 1:2 P (review from the reader)
- Schneider Super Cinelux 70/2
- Meopta Meostigmat 100/1.7
The names of the lenses correspond to their exact spelling on the body.
Comments on this post do not require registration. Anyone can leave a comment. Many different photographic equipment can be found on AliExpress.com.Material prepared Arkady Shapoval. Training/Consultations | Youtube | Facebook | Instagram | Twitter | Telegram.
Yes, the sharpness in the open (it's the only one :) is enviable. And even the test shots look very attractive.
As I understand it, the pipe is metal?
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pipe from a can of olives
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This is me guessing how difficult it will be to remake it on my knee
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And here is a jar of olives for you)
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KP is a series of cinema projection lenses similar to the “Ukraine 35” projector
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I shot with a 35KP1,8 / 140 lens on a color film, the quality is amazing, in the center it transmits 100 lines per millimeter. I did not shoot on the digital, I do not want to litter the matrix. If I buy a carcass I will try. Filmed with anamorphic attachment. The impression is not very good.
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Which one of 35kp is a heavy planar or a “hollow” aplanat?
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but what if a couple of dust particles fall on the matrix and they need to be blown away?)) What if I bother with this, I would not try a lot of such lenses so far!)) The technique should work, and wear it in a sterile bag like- that's not an option at all. To smear the matrix is one thing, and then, to clean it like two fingers on the asphalt, and not as scary as various articles on the internet make it creepy, and to fall into dust for it as a matter of course and does not affect wear at all.
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I support your cheerful answer!) With such success as Porfiry, you need to take a camera with a non-replaceable lens and absolutely not fool around)) The whole point of cameras with interchangeable lenses is the ability to change lenses whenever and wherever!)
I have a favorite 35KP 1,8 / 140 ..., it's just a bomb lens, a la petsval .., I went more than 70ki and others like that.
Photo at 70mm.
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Wow, what beautiful portraits!
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