Announcement: Tokina atx-i 11-20 F2.8 CF

On June 17.06.2020, 11, the Tokina atx-i 20-2.8 FXNUMX CF lens was officially introduced.

Tokina at-i 11-20 F2.8 CF

Tokina atx-i 11-20 F2.8 CF

Basic properties

  • The lens is designed for cropped SLR cameras with Nikon F mount, Canon EF / EF-S (most likely, the new marking is responsible for this CF)
  • The third lens in the Tokina line atx-i (Advanced Technology eXbetween Interactive)
  • Internal focus
  • SD-M motor paired with GMR sensor for precise focusing
  • Manual / Auto Focus Switch One-Touch Focus Clutch Mechanism
  • Relative Hole: 1: 2.8-22
  • Focal length: 11-20 mm (EGF for Nikon DX 16.5-30 mm, EGF for Canon APS-C 17.6-32 mm)
  • MDF: 0.28 m
  • Maximum magnification ratio 1: 8.6
  • Optical design: 14 elements in 12 groups, with 3 low dispersion elements and 3 aspherical elements. Optical design, like Tokina AT-X PRO SD 11-20 F2.8 (IF) DX ASPHERICAL
  • The front element has additional protective enlightenment
  • Aperture with 9 rounded blades
  • Minimized focus breathing effect
  • Filter Diameter: 82 mm
  • Weight: 550 grams Nikon F, 570 grams Canon EF
  • Price: about 500 dollars. Prices for modern Tokina lenses can be viewed here.

Appearance

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

Tokina at-i 11-20 F2.8 CF

About all modern Tokina lenses

In the video below, I try to look at the current state of affairs at Tokina:


Below is a list of all ultra-wide angle lenses with auto focus support for cameras with an APS-C sensor (crop Kf = 1.5-1.6X) whose focal length is less than or equal to 14 mm.

Tokina (for different mounts):

With moderate aperture:

  1. Tokina 124 AT-X PRO SD 12-24 mm F4 (IF) DX Aspherical, for Nikon F, Canon EFS
  2. promaster Digital af 12-24 XR EDO F4 Aspherical, previous lens under the 'ProMaster' brand
  3. Tokina 124 AT-X PRO SD 12-24 mm F4 (IF) DX II Aspherical, for Nikon F, Canon EFS
  4. Tokina 128 AT-X Pro SD 12-28 mm F4 (IF) DX Aspherical, for Nikon F, Canon EFS
  5. Tokina AT-X PRO SD 12-28 F4 (IF) DX V, for Canon EFS only

Aperture:

  1. Tokina AT-X PRO SD 11-16 F2.8 (IF) DX ASPHERICAL, for Nikon F, Canon EFS, Sony A
  2. Tokina AT-X PRO SD 11-16 F2.8 (IF) DX II ASPHERICAL, for Nikon F, Canon EFS, Sony A
  3. Tokina AT-X PRO SD 11-16 F2.8 (IF) DX V, for Nikon F, Canon EFS
  4. Tokina atx-i 11-16 mm F2.8 CF, from 2019, for Nikon F, Canon EFS
  5. Tokina AT-X PRO SD 11-20 F2.8 (IF) DX ASPHERICAL, for Nikon F, Canon EFS
  6. Tokina atx-i 11-20 mm F2.8 CF, from 2020, for Nikon F, Canon EFS
  7. Tokina AT-X PRO SD 14-20 mm F2 (IF) DX, for Nikon F, Canon EFS

Fisheye:

  1. Tokina 107 Fisheye 10-17 mm F3.5-4.5 DX AT-X, for Nikon F, Canon EFS
  2. Tokina 107 Fisheye 10-17 mm F3.5-4.5 DX NH AT-X, for Nikon F, Canon EFS
  3. Tokina 107 Fisheye 10-17 F3.5-4.5 DX AT-X V NH, for Canon EFS only

Tamron (for different mounts):

  1. Tamron SP 10-24 mm 1: 3.5-4.5 Di II B001, from October 2008, for Nikon F, Canon EFS, Pentax K, Sony A. Japan / China / Vietnam
  2. Tamron 10-24 mm F / 3.5-4.5 Di ii VC HLD B023, from February 2017, for Nikon F and Canon EFS
  3. Tamron Aspherical LD ​​DI II SP AF 11-18 mm 1: 4.5-5.6 [IF] A13, from 2005, for Nikon F, Canon EFS, Sony A. Konica Minolta AF DT Zoom 11-18mm 1: 4.5 (22) -5.6 D and Sony 4.5-5.6 / 11-18 DT (SAL1118)
  4. Promaster Digital EDO AF Aspherical LD ​​(IF) 11-18 mm 1: 4.5-5.6, previous lens under the 'ProMaster' brand
  5. Tamron 11-20 mm F / 2.8 Di III-A RXD B060, from April 2021, only for Sony E

Sigma (for different mounts):

  1. Sigma 4.5 mm 1: 2.8 EX DC HSM CIRCULAR FISHEYE, since 2007 for Canon EFS, Sigma SA and Nikon F. Since 2008 for Pentax K and Sony / Minolta A
  2. Sigma 10 mm 1: 2.8 DC FISHEYE HSM, from 2007 for Canon EFS, Sigma SA and Nikon F. In 2008 a version for Pentax K and Sony / Minolta A was released
  3. Sigma 8-16 mm 1: 4.5-5.6 DC HSM, since 2010, Canon EFS, Nikon F, Pentax K, Sigma SA, Sony / Minolta A
  4. Sigma 10-20 mm 1: 4-5.6 DC EX [+ -HSM, + -D], since 2005 for Canon EFS, Sigma SA, Nikon F, Pentax K and Sony / Minolta A. Since 2008 for 4/3 SLR system. 'D' prefix for select Nikon and Sony / Minolta A only. HSM motor only available for Canon EFS, Sigma SA, Nikon F and 4/3. The Pentax K and Sony / Minolta A versions have a different appearance (there is no focusing distance window). There are two sub-versions: with a matte finish and with a velvet finish on the body.
  5. Sigma 10-20 mm 1: 3.5 DC HSM EX, since 2009, for Canon EFS, Nikon F, Pentax K, Sigma SA, Sony / Minolta A

Nikon DX (for Nikon F mount):

  1. Nikon DX AF Fisheye Nikkor 10.5 mm 1: 2.8G ED
  2. Nikon DX VR AF-P Nikkor 10-20 mm 1: 4.5-5.6G
  3. Nikon DX AF-S Nikkor 10-24 mm 1: 3.5-4.5G ED SWM IF Aspherical
  4. Nikon DX AF-S Nikkor 12-24 mm 1: 4G ED SWM IF Aspherical

Canon EF-S / EF-M

EF-S (Mirror APS-C)

  1. Canon Zoome Lens EF-S 10-18 mm 1: 4.5-5.6 IS STM
  2. Canon Zoom Lens EF-S 10-22 mm 1: 3.5-4.5 USM

EF-M (Mirrorless APS-C)

  1. Canon Zoom Lens EF-M 11-22 mm 1: 4-5.6 IS STM

Pentax DA (+ Samsung / Schneider-Kreuznach, for Pentax K mount):

  1. SMC Pentax-DA 1: 2.8 (22) 14 mm ED [IF] (Pentax 14)
  2. SMC Pentax-DA FISH-EYE 1: 3.5-4.5 10-17 mm ED [IF] (Pentax 10-17) (FISHEYE, most likely optically identical Tokina Model 107)
  3. HD Pentax-DA FISH-EYE 1: 3.5-4.5 10-17 mm (FISHEYE, most likely optically similar to Tokina 107 NH)
  4. HD PENTAX-DA * 1: 2.8 11-18 mm ED DC AW
  5. SMC Pentax-DA 1: 4 12-24 mm ED AL [IF] (Pentax 12-24) (most likely optically identical Tokina Model 124)
  6. Samsung Zoom Lens Fisheye D-Xenon 10-17 mm 1: 3.5-4.5 AL, copy Pentax 10-17optical scheme from Tokina Model 107
  7. Samsung Zoom Lens D-Xenon 1: 4 12-24 mm ED ALcopy Pentax 12-24optical scheme from Tokina Model 124
  8. Schneider-Kreuznach D-Xenogon 1: 3.5-4.5 10-17 mm ED AL, copy Pentax 10-17optical scheme from Tokina Model 107
  9. Schneider-Kreuznach D-Xenon 1: 4 12-24 mm ED AL, copy Pentax 12-24optical scheme from Tokina Model 124

Sony / Minolta (A or E):

E-mount (E):

  1. Sony E 4 /10-18 U.S.S

A-mount:

  1. Sony 4.5-5.6 /11-18 DT (SAL1118) (most likely optically identical Tamron model a13)
  2. Konica Minolta AF DT Zoom 11-18 mm 1: 4.5 (22) -5.6 D (most likely optically identical Tamron model a13)

Samsung NX

  1. Samsung Lens 1: 3.5 10 mm Fisheye
  2. Samsung Lens 1: 4-5.6 12-24 mm ED i-Function

Fujifilm x

  1. FUJINON ASPHERICAL LENS SUPER EBC XF 14 mm 1: 2.8 R
  2. FUJINON ASPHERICAL LENS Nano-GI XF 8-16 mm 1: 2.8 R LM WR
  3. FUJINON ASPHERICAL LENS SUPER EBC XF 10-24 mm 1: 4 R OIS
  4. FUJINON ASPHERICAL LENS SUPER EBC XF 10-24 mm 1: 4 R OIS WR

Zeiss (E / X)

  1. ZEISS Distagon Touit 2.8 /12 T* (Sony E-mount, Fujifilm X-mount)

Leica CL / TL / T / TL

  1. Leica SUPER-VARIO-ELMAR-T 1: 3.5-4.5 /11-23 ASPH.
  2. Leica SUPER-VARIO-ELMAR-TL 1: 3.5-4.5 /11-23 ASPH.

Samyang (E)

  1. Samyang AF 12/2 E

Do you know more similar lenses? Or do you have experience with any of them? Then be sure to share your thoughts in the comments.


Comments on this post do not require registration. Anyone can leave a comment. For the selection of a variety of photographic equipment, I recommend E-Catalog и AliExpress.


Material prepared Arkady Shapoval... Look for me on Youtube | Facebook | VK | Instagram | Twitter.

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Comments: 10, on the topic: Announcement: Tokina atx-i 11-20 F2.8 CF

  • Roman

    It's nice, of course, to get four millimeters at the long end - 20 mm on the crop is quite a staff for street photography, 16 is still wide. But the non-standard 82 mm filter immediately makes everything very sad. The main areas of application for such glasses are landscape and architecture. And there it is difficult without a polarik. Well, all sorts of ND-IR can also be useful, and buying them is half the cost of the lens.

    Somehow funny, Tokina, in fact, is sawing the same wide-angle optical system, playing either with a long, wide end or aperture, but without giving anything fundamentally new.

    • Trueash

      For a street, it is not that "wide", but too large and noticeable. I take off fifty dollars - no one cares, I put on 12-28 - everyone immediately stares.

    • Arkady Shapoval

      I was just telling in my videothat Tokina is simply repacking part of her lenses into a new wrapper.

      • Roman

        Well, that's why I did not seriously consider anything from them. Dance on the topic 11-16 / 2.8 and self-repetitions. In its segment, it may be unique, more than the width for the crop, in fact, no one takes it so zealously. But not five times in a row to change the design and play with an optical circuit.

      • Roman

        Looked, by the way, at 10-18 / 4 from Sonya. In terms of focal length and size, it is ideal for a crop. And the quality of the picture - bue ... It doubles, I do not know what they are doing there with sharpness. And this is not a processing glitch, as almost all photos from this glass are on flicker.

    • Michael

      An ultra wide-angle polarik is such a pleasure. The big problem is to find a normal gradient under 82mm - yes

      • Andrei

        Lee system with holder for the desired diameter and there is no problem. Not mobile, but the gradient will be where it is needed, and not strictly in the center.

        • Michael

          not mobile) and scratches hard

      • Roman

        I will draw the gradient with my hands. I can hardly imagine a situation when a margin of two or three stops is not enough for me to darken or lighten something. As a last resort, there will be exposure stacking. Moreover, I will draw where needed - linear, round, several at once, set the opacity and blending mode.

        But the polarik is also needed at super-width. It's not just the sky. This is glass. And the water on the beach or in the lake. And foliage in the sun. And how would it be okay there the top-end glasses of Canon now ask for 82 mm, and 28-70 / 2 and all 95 are the major league, there you can fork out. And this is a budget super-wide crop and so inconvenient.

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