On January 23, 2019, the FUJINON ASPHERECAL LENS XC 35mm 1:2 lens was announced.
FUJINON ASPHERECAL LENS XC 35mm 1: 2
Basic properties
- For Fujifilm Mirrorless APS-C Cameras with X Mount
- FUJINON's first XC fixed lens (line of budget lenses)
- The only FUJINON prime lens without an aperture ring
- Relative Hole: 1: 2-1: 16
- Focal Length: 35mm (EGF 52.5 mm)
- MDF: 0.35 meters
- Maximum magnification ratio 1: 7.2
- Optical design: 9 elements in 6 groups, includes two aspherical elements. Most likely the optical design is identical to the version 35mm 1: 2 XF R WR. CHART DRAWING
- Aperture: 9 rounded blades
- Filter Diameter: 43 mm
- Weight: 130 gram
- Price: about 200 dollars
Appearance
All Fujinon X-mount Lenses
Fixes:
- 8 mm 1:3.5 XF-R WR
- 14 mm 1:2.8 XF-R
- 16 mm 1:1.4 XF-R WR Nano-gi
- 16 mm 1:2.8 XF-R WR (black/silver)
- 18 mm 1:1.4 XF-R WR LM
- 18 mm 1:2 XF (R)
- 23 mm 1:1.4 XF-R
- 23 mm 1:1.4 XF-R WR LM
- 23 mm 1:2 XF-R WR (black/silver)
- 27 mm 1:2.8 XF (black/silver)
- 27 mm 1:2.8 XF-R WR
- 30 mm 1:2.8 XF-R WR LM MACRO
- 33 mm 1:1.4 XF-R WR LM
- 35 mm 1:1.4 XF (R)
- 35 mm 1:2 XC
- 35 mm 1:2 XF-R WR (black/silver)
- 50 mm 1:1 XF-R WR
- 50 mm 1:2 XF-R WR (black/silver)
- 56 mm 1:1.2 XF-R
- 56 mm 1:1.2 XF R APD
- 56 mm 1:1.2 XF-R WR
- 60 mm 1:2.4 XF (R) (MACRO)
- 80 mm 1:2.8 XF-R LM OIS WR MACRO
- 90 mm 1:2 XF-R LM WR (Non Aspherical)
- 200 mm 1:2 XF-R LM OIS WR (Non Aspherical)
Zuma:
- 8-16 mm 1:2.8 XF-R LM WR Nano-gi
- 10-24 mm 1:4 XF-R OIS
- 10-24 mm 1:4 XF-R OIS WR
- 15-45 mm 1: 3.5-5.6 XC OIS PZ (black/silver)
- 16-50 1: 3.5-5.6 XC OIS (black/silver)
- 16-50 1: 3.5-5.6 XC OIS II (black/silver)
- 16-50 mm 1:2.8-4.8 XF R LM WR
- 16-55 mm 1:2.8 XF-R LM WR Nano-gi
- 16-80 mm 1:4 XF-R OIS WR
- 18-55 mm 1:2.8-4 XF R LM OIS
- 18-120 mm 1: 4 XF LM PZ WR
- 18-135 mm 1:3.5-5.6 XF R LM OIS WR
- 50-140 mm 1:2.8 XF-R LM OIS WR Nano-gi (Non Aspherical)
- 50-230 mm 1: 4.5-6.7 XC OIS (black/silver)
- 50-230 mm 1: 4.5-6.7 XC OIS II (black/silver)
- 55-200 mm 1:3.5-4.8 XF R LM OIS
- 70-300 mm 1:4-5.6 XF R LM OIS WR
- 100-400 mm 1:4.5-5.6 XF R LM OIS WR (Non Aspherical)
- 150-600 mm 1:5.6-8 XF R LM OIS WR (Non Aspherical)
Legend:
- XF - Advanced Fujifilm X Lenses
- XC - budget, lightweight and compact lenses for the Fujifilm X mount. A distinctive feature is the absence of an aperture control ring. There is no other ring like this. 27/2.8XF.
- SUPER EBC (Electron Beam Coating) - Electron Beam Coating Optics
- Nano-GI (Nano Gradient Index) - a special nano-enlightenment optics that changes the refractive index at the junction of glass and air
- OIS (Optical Image Stabilization) - built-in optical image stabilization
- R (Ring) - a separate ring for iris control
- LM (Linear Motor) - linear focusing motor
- WR (Weather Resistant) - all-weather lens type
- Ashperical - aspherical elements in the optical scheme of the lens
- Non-Aspherical - aspherical elements are not used in the optical design (only for five lenses: 90/2, 200/2, TBU, 100-400/4.5-5.6 и 150-600/5.6-8)
- Macro - Macro Lenses
- APD(Apodization) - lens with internal non-removable gradient filter
- PZ (Power Zoom) - electronic zoom
- Cinema - lenses designed for movie shooting
- II - the second version of the lens
- Black/Silver - the lens is available in a choice of black or silver body
- MKX CINE - a line of lenses for cinematography (without autofocus), includes only 2 solutions: FUJINON MKX CINE ZOOM LENS 18-55mm T2.9 and FUJINON MKX CINE ZOOM LENS 50-135mm T2.9
For Fujifilm X there are also autofocus lenses from third-party manufacturers:
- Viltrox 13 / 1.4 | Viltrox 20 / 2.8 | Viltrox 23 / 1.4 | Viltrox 27 / 1.2 | Viltrox 33 / 1.4 | Viltrox 56 / 1.4 | Viltrox 56 / 1.7 | Viltrox 75 / 1.2 | Viltrox 85/1.8 PFU | Viltrox 85/1.8II
- Sigma C 16 / 1.4| Sigma C 23 / 1.4 | Sigma C 30 / 1.4 | Sigma C 56 / 1.4 |Sigma C 10-18 / 2.8 | Sigma C 18-50 / 2.8 | Sigma C 100-400/5-6.3
- Tamron 11-20 / 2.8 | Tamron 17-70 / 2.8 VC | Tamron 18-300 / 3.5-6.3 VC | Tamron 150-500 / 5-6.7 VC
- TTArtisan 27 / 2.8 | TTArtisan 32 / 2.8 | TTArtisan 35 / 1.8 | TTArtisan 56 / 1.8
- Zeiss Touit 12 / 2.8 | Zeiss Touit 32 / 1.8 | Zeiss Touit 50 / 2.8 Macro
- Tokina 23 / 1.4 | Tokina 33 / 1.4 | Tokina 56 / 1.4
- Yongnuo 11 / 1.8 | Yongnuo 50/1.8 PRO | Yongnuo 50 / 1.8
- Samyang 12 / 2 | Samyang 75/1.8
- Meike 33 / 1.4 | Meike 55 / 1.4 | Meike 85 / 1.8
- Brightin Star 50 / 1.4
All Fujifilm X APS-C Interchangeable Lens Digital Mirrorless Cameras
- X Pro1, X Pro2, X Pro3
- X-T1, X-T2, X-T3, X-T4, X-T5
- X-T10, X-T20, X-T30, X-T30II, X-T50
- X-S10, X-S20
- X-T100, X-T200
- X-E1, X-E2, X-E2s, X-E3, X-E4
- X-M1
- X-A1, X-A2, X-A3, X-A5, X-A7
- X-A20
- X-H1, X-H2S, X-H2
Materials on the topic
- Full frame mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems that have stopped or are no longer developing
- Digital SLR systems that have stopped or are no longer developing
- JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
- About mirrorless batteries
- Simple and clear medium format
- High-speed solutions from Chinese brands
- All fastest autofocus zoom lenses
- All fastest AF prime lenses
- Mirrored full frame on mirrorless medium format
- Autofocus Speed Boosters
- One lens to rule the world
- The impact of smartphones on the photography market
- What's next (smartphone supremacy)?
- All announcements and novelties of lenses and cameras
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Material prepared Arkady Shapoval.
If they make 23mm f2 XC for the same money, it will be very interesting.
Most likely to make 50/2 XC
Not bad. Let's wait for test shots from it.
The optical scheme was most likely taken from the old 35/2, so the picture is the same.
100% same
Why, if fujah has something inexpensive, then it is necessarily made of cheap plastic. Okay, the case is plastic, but the mount could have been made metal.
This is originally an inexpensive XC series, so you shouldn't expect anything here. Moreover, this is the first and so far the only fix XC
how much is a metal bayonet more expensive than plastic ?? ... by $ 1-2 ... ???
Sorrow is it!
Say it to Sony, Canon and Nikon. They also have fiction fiction.
Here the weight of the glass is ridiculous, I have 70-300 af-p weighs more and also on plastic, nothing will happen to it, well, if you don't break it out by force
I'm going to take myself one. The plastic mount does not bother, the same in Pentax DA 35mm f / 2.4 without any problems plowed for 8 years, probably, if not more, and looks almost better than metal counterparts.
Even if we assume that such a lens will wear out in 4-5 years, it’s still normal. During this time, its value can be recaptured many times.
for some reason, no one writes!
Roughly speaking, the closer the focus, the smaller the picture. So for a serious video, he immediately got married. For photos where it is necessary with a different focusing point, then gluing together is also not good.
sobssna a similar effect is observed in almost all lenses. and true optical fr is always determined when focusing on infinity.
so pronounced for me this is the first lens. At the optics park, Nikor did not observe or did not notice at all. And with this glass, at first it seemed that I set the zoom
35 / 2d try.
kenon 85 1.8, with internal focusing, clearly works like a zoom - I did not measure it, but the difference in FR is not a few percent, but much larger. the effect is less pronounced in optics that are focused by moving the entire lens unit.
Well, I wrote everything on the case) for the video and for some photo directions is not suitable)