23.01.2020/200/XNUMX the FUJIFILM X-TXNUMX digital mirrorless APS-C camera was officially introduced.
FUJIFILM X-T200
Basic properties
- APS-C sensor CMOS 24 MP (maximum image size 6000 X 4000)
- ISO 200-12.800 expandable to 100-51.200
- Maximum Burst Speed 8 fps
- Minimum excerpt 1/4000 s mechanical shutter
- Minimum excerpt electronic shutter 1 / 32.000 s.
- Video UHD 4K (3840 X 2160) 30 fps without crop, Full HD 60p
- Rotary touchscreen display 3.5 inches and 2.760.000 dots
- EVI 2.360.000 points, magnification 0.62X, frame coverage 100%
- 425-phase hybrid focusing system with eye and face recognition
- SD / SDHC / SDXC memory cards supporting UHS-I high-speed bus
- Wi-Fi, Bluetooth, USB Type-C, HDMI Type D, microphone jack, headphones can be connected via USB
- Built-in flash
- Weight 370 grams with battery and memory card
- The camera is available in three body colors.
- The price is about $ 700 per body. Prices for new FUJIFILM cameras are available see here
Appearance
All Fujifilm X APS-C Interchangeable Lens Digital Mirrorless Cameras
- X-Pro1, X-Pro2, X-Pro3
- X-T1, X-T2, X-T3, X-T4, X-T5
- X-T10, X-T20, X-T30, X-T30II
- X-S10, X-S20
- X-T100, X-T200
- X-E1, X-E2, X-E2s, X-E3, X-E4
- X-M1
- X-A1, X-A2, X-A3, X-A5, X-A7
- X-A20
- X-H1, X-H2S, X-H2
All Fujinon X-mount Lenses
Fixes:
- 8 mm 1:3.5 XF-R WR
- 14 mm 1:2.8 XF-R
- 16 mm 1:1.4 XF-R WR Nano-gi
- 16 mm 1:2.8 XF-R WR (black/silver)
- 18 mm 1:1.4 XF-R WR LM
- 18 mm 1:2 XF (R)
- 23 mm 1:1.4 XF-R
- 23 mm 1:1.4 XF-R WR LM
- 23 mm 1:2 XF-R WR (black/silver)
- 27 mm 1:2.8 XF (black/silver)
- 27 mm 1:2.8 XF-R WR
- 30 mm 1:2.8 XF-R WR LM MACRO
- 33 mm 1:1.4 XF-R WR LM
- 35 mm 1:1.4 XF (R)
- 35 mm 1:2 XC
- 35 mm 1:2 XF-R WR (black/silver)
- 50 mm 1:1 XF-R WR
- 50 mm 1:2 XF-R WR (black/silver)
- 56 mm 1:1.2 XF-R
- 56 mm 1:1.2 XF R APD
- 56 mm 1:1.2 XF-R WR
- 60 mm 1:2.4 XF (R) (MACRO)
- 80 mm 1:2.8 XF-R LM OIS WR MACRO
- 90 mm 1:2 XF-R LM WR (Non Aspherical)
- 200 mm 1:2 XF-R LM OIS WR (Non Aspherical)
Zuma:
- 8-16 mm 1:2.8 XF-R LM WR Nano-gi
- 10-24 mm 1:4 XF-R OIS
- 10-24 mm 1:4 XF-R OIS WR
- 15-45 mm 1: 3.5-5.6 XC OIS PZ (black/silver)
- 16-50 1: 3.5-5.6 XC OIS (black/silver)
- 16-50 1: 3.5-5.6 XC OIS II (black/silver)
- 16-55 mm 1:2.8 XF-R LM WR Nano-gi
- 16-80 mm 1:4 XF-R OIS WR
- 18-55 mm 1:2.8-4 XF R LM OIS
- 18-120 mm 1: 4 XF LM PZ WR
- 18-135 mm 1:3.5-5.6 XF R LM OIS WR
- 50-140 mm 1:2.8 XF-R LM OIS WR Nano-gi (Non Aspherical)
- 50-230 mm 1: 4.5-6.7 XC OIS (black/silver)
- 50-230 mm 1: 4.5-6.7 XC OIS II (black/silver)
- 55-200 mm 1:3.5-4.8 XF R LM OIS
- 70-300 mm 1:4-5.6 XF R LM OIS WR
- 100-400 mm 1:4.5-5.6 XF R LM OIS WR (Non Aspherical)
- 150-600 mm 1:5.6-8 XF R LM OIS WR (Non Aspherical)
Legend:
- XF - Advanced Fujifilm X Lenses
- XC - budget, lightweight and compact lenses for the Fujifilm X mount. A distinctive feature is the absence of an aperture control ring. There is no other ring like this. 27/2.8XF.
- SUPER EBC (Electron Beam Coating) - Electron Beam Coating Optics
- Nano-GI (Nano Gradient Index) - a special nano-enlightenment optics that changes the refractive index at the junction of glass and air
- OIS (Optical Image Stabilization) - built-in optical image stabilization
- R (Ring) - a separate ring for iris control
- LM (Linear Motor) - linear focusing motor
- WR (Weather Resistant) - all-weather lens type
- Ashperical - aspherical elements in the optical scheme of the lens
- Non-Aspherical - aspherical elements are not used in the optical design (only for five lenses: 90/2, 200/2, TBU, 100-400/4.5-5.6 и 150-600/5.6-8)
- Macro - Macro Lenses
- APD(Apodization) - lens with internal non-removable gradient filter
- PZ (Power Zoom) - electronic zoom
- Cinema - lenses designed for movie shooting
- II - the second version of the lens
- Black/Silver - the lens is available in a choice of black or silver body
- MKX CINE - a line of lenses for cinematography (without autofocus), includes only 2 solutions: FUJINON MKX CINE ZOOM LENS 18-55mm T2.9 and FUJINON MKX CINE ZOOM LENS 50-135mm T2.9
For Fujifilm X there are also autofocus lenses from third-party manufacturers:
- Viltrox 13 / 1.4 | Viltrox 23 / 1.4 | Viltrox 27 / 1.2 | Viltrox 33 / 1.4 | Viltrox 56 / 1.4 | Viltrox 75 / 1.2 | Viltrox 85/1.8 PFU | Viltrox 85/1.8II
- Sigma C 16 / 1.4| Sigma C 23 / 1.4 | Sigma C 30 / 1.4 | Sigma C 56 / 1.4 | Sigma C 18-50 / 2.8 | Sigma C 100-400/5-6.3
- Tamron 11-20 / 2.8 | Tamron 17-70 / 2.8 VC | Tamron 18-300 / 3.5-6.3 VC | Tamron 150-500 / 5-6.7 VC
- Zeiss Touit 12 / 2.8 | Zeiss Touit 32 / 1.8 | Zeiss Touit 50 / 2.8 Macro
- Tokina 23 / 1.4 | Tokina 33 / 1.4 | Tokina 56 / 1.4
- Samyang 12 / 2, Samyang 75/1.8
- TTArtisan 27 / 2.8, TTArtisan 32 / 2.8
- Meike 85 / 1.8
- Yongnuo 50/1.8 PRO
Materials on the topic
- Full frame mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems that have stopped or are no longer developing
- Digital SLR systems that have stopped or are no longer developing
- JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
- About mirrorless batteries
- Simple and clear medium format
- High-speed solutions from Chinese brands
- All fastest autofocus zoom lenses
- All fastest AF prime lenses
- Mirrored full frame on mirrorless medium format
- Autofocus Speed Boosters
- One lens to rule the world
- The impact of smartphones on the photography market
- What's next (smartphone supremacy)?
- All announcements and novelties of lenses and cameras
Material prepared Arkady Shapoval. Training/Consultations | Youtube | Facebook | Instagram | Twitter | Telegram
Who is in the subject, tell me, for a video (mainly at night or indoors) what is worth taking? Advise the carcass + fast lens.
fuji x-t3 ＋ 16-55 / 2.8
panasonic gh5s + 12-35 / 2.8
I know the Japanese filming on the Fuji GFX50 and 100. It's great when there are such delicate aesthetes.
They shoot video on these cameras.
There is another one that saws 4k timelapses on 1dx mk2.
You can also add Sony a6400 / 6500,
Of the lenses, the native 35 / 1.8 Oss, sigma 16 / 1.4, 30 / 1.4, 56 / 1.6 IMHO if we are talking about “little light” then the fixes are preferable.
And what is the target audience for this camera?
So I look at the line of BZK of the Fuji crop and I do not understand why they need so many similar cameras on 2 crop matrices. It would be less of them, the positioning of each model would be clearer.
Most likely a scheduled update of the XT-100. There is always a target audience
For example, I do not like their X-trans sensor, but I like Bayer.
in this chamber there is a Bayer sensor ...
I wrote to that =)
That is, I am the target audience)
"On 2 crop matrices"
crop at Fuja 1.5x
Most likely, it was understood that only 2 sensors (2 different sensors) are now used by Fuji
So.
Perhaps not quite correctly put it.
It is good that Fuji did not enter the sect m4 / 3.
camera for advanced enthusiasts, or as a second camera. For the price it is slightly cheaper than x-t20 / 30. and this is x-t100 update
For those who don't like x-trans matrices
Fuj very much delimits its cameras on ergonomics, body materials, etc. If the xt1 / 2/3 is more or less ok, then the xt10 / 20/30 is plastic and with a frankly small grip (fixed rubber on the viewfinder is generally atas). X100 / 200 are generally similar to plastic toys and it is inconvenient to keep them even with a small lens.
In the description of the shutter speed, it is better to write the word "maximum")))
R. S. I have x-t30 and I am satisfied. Nikon is idle.
Once again, sturgeon was cut ...
Why didn't you specify the size of the matrix in the “Basic Properties”?
Is it a crop or a full frame? I understand that it is a crop, but it is probably better to indicate this ...
"APS-C sensor" in the first line indicates
yes, this is APS-C, i.e. crop 1.5
understood thanks
And why half the wheels are not signed, and some of the buttons, too? Will they be highlighted from the inside by the assigned function? Or am I not understanding something?
It is very unlikely that there was a backlight.
There is no stub ?! Five-axis ?!
I am fond of sculpture and painting, and I want to say how subtly the Japanese balanced design - between retro and technogenic! Awesome !!!
No, fuja stub only in xh series.
In general, in fujah, the design of inexpensive cameras looks beautiful only in pictures and from afar. Near cheap painted plastic. Ergonomics are also disgusting, since there is simply no grip on the arm.
There is only a Olympus stub from a relatively inexpensive segment, but there the matrix is smaller, that is, at high photosensitivity values, the picture will be noisier, which partially neutralizes the presence of a stub.
Sony made stabilization matrix all done. It’s easier to buy a camera with a stub inside than to overpay for it in all lenses. Or use the intracameral + intraobjective and get even greater smoothness.
The camera seems normal, without the branded fool fujifilm with 3 shutter speeds for exposure-iso-xs that, there is an ordinary twist with operating modes. But judging by the price, it will not pull high ISO, for this shooting in the evening and in rooms with dim light, you can cross out the capabilities of the camera.
kind
Does anyone know what processor is on the X-T200, otherwise the X-T100 (2018) was equipped with a 2013 processor, made it slow, I think it's the same story, a bad processor will be installed on a good camera so that T3 and T4 would be bought at an exorbitant price.