23.10.2019/24/2.8 Tamron 1mm F / 2 Di III OSD M051: XNUMX lens (Model FXNUMX) was introduced
Tamron 24mm F / 2.8 Di III OSD M1: 2 (Model F051)
Basic properties
- For full-frame mirrorless cameras with Sony FE mount
- Relative Hole: 1: 2.8-22
- Focal Length: 24mm (EGF for Sony APS-C 36mm)
- MDF: 0.12 m
- Maximum magnification ratio 1: 2
- Focusing Motor OSD (Optimized Silent Drive)
- Optical design: 10 elements in 9 groups, with 3 low dispersion elements and one cast aspherical element, BBAR enlightenment
- The front element has additional protective enlightenment
- Aperture with 7 rounded blades
- Filter Diameter: 67 mm
- Protected enclosure
- Weight: 215
- Support for many features of Sony cameras (eye focus, distortion correction, lens software updates through the camera, etc.)
- Price: about 350 dollars. Prices for all new Tamron lenses can be viewed here.
Appearance
All Tamron lenses for MILC Full Frame (E/Z/APS-C X)
- Tamron 20 mm F / 2.8 Di III OSD M1: 2 [Model F050] (E) [October 2019]
- Tamron 24 mm F / 2.8 Di III OSD M1: 2 [Model F051] (E) [October 2019]
- Tamron 35 mm F / 2.8 Di III OSD M1: 2 [Model F053] (E) [October 2019]
- Tamron 17-28mm F / 2.8 Di III RXD [Model A046] (E) [June 2019]
- Tamron 17-50mm F / 4 Di III VXD [Model A068] (E) [August 2023]
- Tamron 20-40mm F / 2.8 Di III VXD [Model A062] (E) [August 2022]
- Tamron 28-75mm F / 2.8 Di III RXD [Model A036] (E) (15/12) [February 2018]
- Tamron 28-75mm F / 2.8 Di III VXD G2 [Model A063] (E) (17/15) [August 2021]
- Tamron 28-180mm F/2.8 Di III VC VXD (to be announced)
- Tamron 28-200mm F / 2.8-5.6 Di III RXD [Model A071] (E) [June 2020
- Tamron 28-300mm F / 4-7.1 Di III VC VXD [Model A074] (E) [July 2024]
- Tamron 35-150mm F / 2-2.8 Di III VXD [Model A058] (E + Z) [August 2021]
- Tamron 50-300mm F / 4.5-6.3 Di III VC VXD [Model A069] (E) [June 2024]
- Tamron 50-400mm F / 4.5-6.3 Di III VC VXD [Model A067] (E+ Z) [July 2022]
- Tamron 70-180mm F / 2.8 Di III VXD [Model A056] (E) [April 2020]
- Tamron 70-180mm F/2.8 Di III VC VXD G2 (E) [August 2023]
- Tamron 70-300mm F / 4.5-6.3 Di III RXD [Model A047] (E + Z) [September 2020]
- Tamron 150-500mm F / 5-6.7 Di III VC VXD [Model A057] (E + Z + X) [April 2021]
All Tamron Lenses for MILC APS-C/MFT (E/X/M/RFS/MFT)
- Tamron 11-20mm F / 2.8 Di III-A RXD (E+X+RFS) [Model B060] [April 2021, BHphotovideo]
- Tamron 14-150mm F / 3.5-5.8 Di III MICRO B / S (MFT) [Model C001] [June 2014, BHphotovideo]
- Tamron 17-70mm F / 2.8 Di III-A VC RXD (E+X) [Model B070] [December 2020, BHphotovideo]
- Tamron 18-200mm F / 3.5-6.3 Di III VC B / S (E+M) [Model B011] [December 2011, BHphotovideo]
- Tamron 18-300mm F / 3.5-6.3 Di III-A VC VXD (E+X) [Model B061] [August 2021, BHphotovideo]
Marking:
- Di III - lens designed for mirrorless digital cameras (cropped or full frame)
- DiIII-A - the lens is designed exclusively for mirrorless cameras with an APS-C sensor
- OSD (Ooptimized Silent Drive) - special optimized quiet focus motor
- RXD (Rapid eXtra-silent stepping Drive) - fast and very quiet stepper focus motor
- VXD (Voice-coil eXtreme-torque Drive) - fast and very quiet linear focus motor
- G2 (Generation II) - second generation lenses
- M1: 2 - maximum magnification ratio, important for macro photography
- VC (Vvibration Compensation) - built-in image stabilizer
- Mode a - zooms for Sony FE full-frame cameras (from the list above)
- Model f - fixes for full-frame Sony FE cameras (from the list above)
- Model B - zooms for cropped cameras Sony E, FujiFilm X or Canon EF-M
- Model c - zooms for cropped cameras of the Micro 4/3 system
- MILC (Mscary Iinterchangeable Lens Camera) - mirrorless camera with interchangeable lenses
- B / S (Black /Silver) - there is a version of the lens in black and silver housing
- MICRO - designation of the lens belonging to the Micro 4/3 system (aka MFT)
- X - there is a version for cameras with a bayonet mount FUJIFILM X
- E - there is a version for cameras with a bayonet mount Sony E (APS-C)
- FE - there is a version for cameras with a bayonet mount Sony E / FEdesigned for use primarily on Full Frame
- M - there is a version for cameras with a bayonet mount Canon EF-M
- Z - there is a version for cameras with a bayonet mount Nikon Z
- RFS - there is a version for cameras with a bayonet mount Canon RF-S
- MFT (Micro Four Thirds) - there is a version for cameras with Micro 4/3 mount
Materials on the topic
- Full frame mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems... Discussion, choice, recommendations.
- Cropped mirrorless systems that have stopped or are no longer developing
- Digital SLR systems that have stopped or are no longer developing
- JVI or EVI (an important article that answers the question 'DSLR or mirrorless')
- About mirrorless batteries
- Simple and clear medium format
- High-speed solutions from Chinese brands
- All fastest autofocus zoom lenses
- All fastest AF prime lenses
- Mirrored full frame on mirrorless medium format
- Autofocus Speed Boosters
- One lens to rule the world
- The impact of smartphones on the photography market
- What's next (smartphone supremacy)?
- All announcements and novelties of lenses and cameras
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Material prepared Arkady Shapoval.
Sense in 3 similar lenses? They would have released 28 / 2.8 for complete happiness
Strange logic. Well, 20 and 24, perhaps, no one will take at the same time - at such an angle the difference is quite large, but not critical. But 20 and 35 are quite. And someone 24 in a pair to fifty dollars. On the other hand, it is quite possible to expand the standard range 24-105 with a fast 20-aperture. Or 20/24 to their 35-150 to cover the wide angle, and at the tele-end - 150-600. Flexibility is our everything.
For me personally, 35, 24 and 20 are very different focal points.
Ordered 24mm. I don't see anything more affordable, autofocus, for this amount. If there are more funds, of course it is better to choose a faster solution.
Twice I would have thought of taking a fast shirik. The bokeh will not impress anyway, but you will have to hide behind the landscape architecture. At a price of gigantic size and weak edges on the open.
there are different widths. I like, say, zuiko 28 2.0, and for a street landscape on a covered hole, and for a portrait or video - on an open one. yes, there is a curvature of the field, but all shiriks have it, except for very expensive ones. and even those have it S-shaped. but the zuiko in the center is sooo sharp.
and if from expensive AF - Canon 24 1.4L II - excellent glass. even at 5Dsr it is very sharp.