Announcement: HD Pentax-DA Fish-Eye 1: 3.5-4.5 10-17mm

09.07.2019/1/3.5 the HD Pentax-DA Fish-Eye 4.5: 10-17 XNUMX-XNUMXmm lens was officially unveiled.

HD Pentax-DA Fish-Eye 1: 3.5-4.5 10-17mm

HD Pentax-DA Fish-Eye 1: 3.5-4.5 10-17mm


Basic properties

  • Focal length: 10-17 mm, EGF on the crop 15-25.5mm, 10 mm lens gives a viewing angle of 180 degrees
  • At full frame, the lens turns into a circular fisheye
  • Relative hole: 1: 3.5-4.5 to 1: 22-32
  • MDF: 0.14 m. Maximum magnification ratio 1: 2.56
  • Optical design: 10 elements in 8 groups with one Pentax ED (Extra-low Dispersion) element
  • Aperture: 6 rounded blades
  • HD (High Definition) enlightenment + protective SP (Super Protect) enlightenment of the front lens
  • Focus: using the camera motor, support for Quick-Shift Focus
  • the lens cannot use classic filters, the hood is removable ()
  • Weight: 317
  • Price: about 500 dollars

Appearance

Alternatives

Below is a list of all ultra-wide angle lenses with auto focus support for cameras with an APS-C sensor (crop Kf = 1.5-1.6X) whose focal length is less than or equal to 14 mm.

Tokina (for different mounts):

With moderate aperture:

  1. Tokina 124 AT-X PRO SD 12-24 mm F4 (IF) DX Aspherical, for Nikon F, Canon EFS
  2. promaster Digital af 12-24 XR EDO F4 Aspherical, previous lens under the 'ProMaster' brand
  3. Tokina 124 AT-X PRO SD 12-24 mm F4 (IF) DX II Aspherical, for Nikon F, Canon EFS
  4. Tokina 128 AT-X Pro SD 12-28 mm F4 (IF) DX Aspherical, for Nikon F, Canon EFS
  5. Tokina AT-X PRO SD 12-28 F4 (IF) DX V, for Canon EFS only

Aperture:

  1. Tokina AT-X PRO SD 11-16 F2.8 (IF) DX ASPHERICAL, for Nikon F, Canon EFS, Sony A
  2. Tokina AT-X PRO SD 11-16 F2.8 (IF) DX II ASPHERICAL, for Nikon F, Canon EFS, Sony A
  3. Tokina AT-X PRO SD 11-16 F2.8 (IF) DX V, for Nikon F, Canon EFS
  4. Tokina atx-i 11-16 mm F2.8 CF, from 2019, for Nikon F, Canon EFS
  5. Tokina AT-X PRO SD 11-20 F2.8 (IF) DX ASPHERICAL, for Nikon F, Canon EFS
  6. Tokina atx-i 11-20 mm F2.8 CF, from 2020, for Nikon F, Canon EFS
  7. Tokina AT-X PRO SD 14-20 mm F2 (IF) DX, for Nikon F, Canon EFS

Fisheye:

  1. Tokina 107 Fisheye 10-17 mm F3.5-4.5 DX AT-X, for Nikon F, Canon EFS
  2. Tokina 107 Fisheye 10-17 mm F3.5-4.5 DX NH AT-X, for Nikon F, Canon EFS
  3. Tokina 107 Fisheye 10-17 F3.5-4.5 DX AT-X V NH, for Canon EFS only

Tamron (for different mounts):

  1. Tamron SP 10-24 mm 1: 3.5-4.5 Di II B001, from October 2008, for Nikon F, Canon EFS, Pentax K, Sony A. Japan / China / Vietnam
  2. Tamron 10-24 mm F / 3.5-4.5 Di ii VC HLD B023, from February 2017, for Nikon F and Canon EFS
  3. Tamron Aspherical LD ​​DI II SP AF 11-18 mm 1: 4.5-5.6 [IF] A13, from 2005, for Nikon F, Canon EFS, Sony A. Konica Minolta AF DT Zoom 11-18mm 1: 4.5 (22) -5.6 D and Sony 4.5-5.6 / 11-18 DT (SAL1118)
  4. Promaster Digital EDO AF Aspherical LD ​​(IF) 11-18 mm 1: 4.5-5.6, previous lens under the 'ProMaster' brand
  5. Tamron 11-20 mm F / 2.8 Di III-A RXD B060, from April 2021, only for Sony E

Sigma (for different mounts):

  1. Sigma 4.5 mm 1: 2.8 EX DC HSM CIRCULAR FISHEYE, since 2007 for Canon EFS, Sigma SA and Nikon F. Since 2008 for Pentax K and Sony / Minolta A
  2. Sigma 10 mm 1: 2.8 DC FISHEYE HSM, from 2007 for Canon EFS, Sigma SA and Nikon F. In 2008 a version for Pentax K and Sony / Minolta A was released
  3. Sigma 8-16 mm 1: 4.5-5.6 DC HSM, since 2010, Canon EFS, Nikon F, Pentax K, Sigma SA, Sony / Minolta A
  4. Sigma 10-20 mm 1: 4-5.6 DC EX [+ -HSM, + -D], since 2005 for Canon EFS, Sigma SA, Nikon F, Pentax K and Sony / Minolta A. Since 2008 for 4/3 SLR system. 'D' prefix for select Nikon and Sony / Minolta A only. HSM motor only available for Canon EFS, Sigma SA, Nikon F and 4/3. The Pentax K and Sony / Minolta A versions have a different appearance (there is no focusing distance window). There are two sub-versions: with a matte finish and with a velvet finish on the body.
  5. Sigma 10-20 mm 1: 3.5 DC HSM EX, since 2009, for Canon EFS, Nikon F, Pentax K, Sigma SA, Sony / Minolta A

Nikon DX (for Nikon F mount):

  1. Nikon DX AF Fisheye Nikkor 10.5 mm 1: 2.8G ED
  2. Nikon DX VR AF-P Nikkor 10-20 mm 1: 4.5-5.6G
  3. Nikon DX AF-S Nikkor 10-24 mm 1: 3.5-4.5G ED SWM IF Aspherical
  4. Nikon DX AF-S Nikkor 12-24 mm 1: 4G ED SWM IF Aspherical

Canon EF-S / EF-M

EF-S (Mirror APS-C)

  1. Canon Zoome Lens EF-S 10-18 mm 1: 4.5-5.6 IS STM
  2. Canon Zoom Lens EF-S 10-22 mm 1: 3.5-4.5 USM

EF-M (Mirrorless APS-C)

  1. Canon Zoom Lens EF-M 11-22 mm 1: 4-5.6 IS STM

Pentax DA (+ Samsung / Schneider-Kreuznach, for Pentax K mount):

  1. SMC Pentax-DA 1: 2.8 (22) 14 mm ED [IF] (Pentax 14)
  2. SMC Pentax-DA FISH-EYE 1: 3.5-4.5 10-17 mm ED [IF] (Pentax 10-17) (FISHEYE, most likely optically identical Tokina Model 107)
  3. HD Pentax-DA FISH-EYE 1: 3.5-4.5 10-17 mm (FISHEYE, most likely optically similar to Tokina 107 NH)
  4. HD PENTAX-DA * 1: 2.8 11-18 mm ED DC AW
  5. SMC Pentax-DA 1: 4 12-24 mm ED AL [IF] (Pentax 12-24) (most likely optically identical Tokina Model 124)
  6. Samsung Zoom Lens Fisheye D-Xenon 10-17 mm 1: 3.5-4.5 AL, copy Pentax 10-17optical scheme from Tokina Model 107
  7. Samsung Zoom Lens D-Xenon 1: 4 12-24 mm ED ALcopy Pentax 12-24optical scheme from Tokina Model 124
  8. Schneider-Kreuznach D-Xenogon 1: 3.5-4.5 10-17 mm ED AL, copy Pentax 10-17optical scheme from Tokina Model 107
  9. Schneider-Kreuznach D-Xenon 1: 4 12-24 mm ED AL, copy Pentax 12-24optical scheme from Tokina Model 124

Sony / Minolta (A or E):

E-mount (E):

  1. Sony E 4 /10-18 U.S.S

A-mount:

  1. Sony 4.5-5.6 /11-18 DT (SAL1118) (most likely optically identical Tamron model a13)
  2. Konica Minolta AF DT Zoom 11-18 mm 1: 4.5 (22) -5.6 D (most likely optically identical Tamron model a13)

Samsung NX

  1. Samsung Lens 1: 3.5 10 mm Fisheye
  2. Samsung Lens 1: 4-5.6 12-24 mm ED i-Function

Fujifilm x

  1. FUJINON ASPHERICAL LENS SUPER EBC XF 14 mm 1: 2.8 R
  2. FUJINON ASPHERICAL LENS Nano-GI XF 8-16 mm 1: 2.8 R LM WR
  3. FUJINON ASPHERICAL LENS SUPER EBC XF 10-24 mm 1: 4 R OIS
  4. FUJINON ASPHERICAL LENS SUPER EBC XF 10-24 mm 1: 4 R OIS WR

Zeiss (E / X)

  1. ZEISS Distagon Touit 2.8 /12 T* (Sony E-mount, Fujifilm X-mount)

Leica CL / TL / T / TL

  1. Leica SUPER-VARIO-ELMAR-T 1: 3.5-4.5 /11-23 ASPH.
  2. Leica SUPER-VARIO-ELMAR-TL 1: 3.5-4.5 /11-23 ASPH.

Samyang (E)

  1. Samyang AF 12/2 E

Do you know more similar lenses? Or do you have experience with any of them? Then be sure to share your thoughts in the comments.

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Material prepared Arkady Shapoval... Look for me on Youtube | Facebook | VK | Instagram | Twitter.

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Comments: 15, on the topic: Announcement: HD Pentax-DA Fish-Eye 1: 3.5-4.5 10-17mm

  • Novel

    Interesting. With Canon, the fisheye becomes circular only by 8 mm. Actually, on a full frame, it has only two positions - 8 mm - circular, 15 mm - diagonal. Well, maybe 14mm. All in between are black corners. But on the crop from 10 mm to 15 mm there are no corners (there is a special switch for 10 mm so that you cannot zoom further). And the lens goes from a diagonal fisheye (10 mm) to an ultra-wide with a strong distortion (15 mm). Actually, on the crop it is more interesting for this reason.

    So it’s strange that this lens is designed for a full frame.

  • Arkady Shapoval

    And on K1, K1 II it is circular, but not quite, the circle is slightly cut off by the horizontal frames of the frame. Canon 8-15 gives you a full circle.
    In general, this lens is a replica of the Tokina 107 Fisheye 10-17mm F3.5-4.5 DX NH AT-X, which was upgraded in the same way from the previous version simply by removing the lens hood, making it easier to use the lens at full frame.

    • Novel

      Yes, somehow it’s not quite possible in this case :) The circle is usually inscribed in a square, the background is changed to white or black and a typical 180-degree panorama is obtained. And here neither there nor here, defective image.

      • Arkady Shapoval

        if we are talking about a full frame, then not in a square, but in a rectangle with an aspect ratio of 2 to 3.

        • Novel

          I'm talking about processing the finished image.

  • Michael

    All the newness in the sawn hood? Pentax had

    • Arkady Shapoval

      Only 3 new things: hd enlightenment, a removable hood (the idea was taken from Tokina NH [NO HOOD]) and an updated design.

      In general, they torment poor Tokin on 10-17 2006. At the same time, in 2019 we get a lens with a very old optical design, without a built-in motor, with six aperture blades.

      Did Pentax users expect this lens?

      • Michael

        Yes, for sure, the enlightenment has been updated. Not only is the circuit old, but the lens itself (judging by Tokin) was not an ice in the image. Pentaxists are unlikely to have expected this.

  • Vad

    Forgot to mention as a good alternative to Samyang 8mm / F3,5 Fish-Eye CSII

    • Michael

      Only autofocus listed

  • Carl Zeiss

    Oh well, it’s in the bathhouse, with such characteristics, and with such a picture, for such money! It’s better to take the old Pentax fisheye and not take a steam bath. It is durable as a tank. And with a predictable picture. One trouble is chromatite.
    And by the way, now there is more interesting glass than these two fishas. Here's an example discussion of 10mm Samyang 2,8. Pictures in the subject are just great for glass at that price.
    http://www.penta-club.ru/forum/topic/128632-samyang-1028/

  • pentaxist

    Well, who else, but pentaxists HD enlightenment and a removable hood were waiting. Taking into account that the real SMS version is three times, and the new HD version is more than half the price of the excellent Canon 8-15 F / 4, Pentax still has an excellent fishy. And HD will be even better.

    • Arkady Shapoval

      The irony is that for Canon there is a long time ago Tokina 10-17 NH (without the hood, whose idea Pentax took) and even Tokina 10-17 NH V for video shooting.

      • pentaxist

        And it is right. There is this Tokina, there is more expensive glass with a red stripe. It's just that Pentax, even on the basis of third-party developments, makes it more interesting - as in the case of Tamrons 24-70 and 15-30 - similar optics from Pentax, perhaps even surpassing the G2 version from Tamron.
        True, this does not remove the optical limitations of this old Tokina, just Pentax will now show everything it can do.)

  • Past the crocodile

    There is no irony here. For penTaxi drivers try to do everything at once - pentaclub to help - there, in general, everything is written in the ru segment and in English. And for a long time.
    The bootmakers taking the market simply earn loot, which is generally correct.
    And nikonovody still die in agony, for example at 700ke which is essentially firewood.
    These are your attractions.
    Not funny?

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