For the opportunity Nikon N AF-S Nikkor 24-70mm 1: 2.8G ED NanoCrystalCoat SWM IF Aspherical review many thanks Sergey Svirida
Nikon 24-70mm f / 2.8G ED AF-S N Nikkor review
The Nikon N AF-S Nikkor 24-70mm 1: 2.8G ED NanoCrystalCoat SWM IF Aspherical is the legendary fast zoom lens. The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is a nanocrystalline monster that is ideal for a variety of photography needs. When buying a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor, you can be sure that your money is not wasted, because the lens has 3 ED glass elements (Extra low dispersion) and 3 more aspherical elements ASP and one element with a nanocrystalline coating (NanoCrystal Coat, N).
Optical design of the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
Nikon 24-70mm f / 2.8G ED AF-S N Nikkor will work great on any Nikon digital SLR camera, since the Nikon 24-70mm N has a built-in SWM (Silent Wave Motor) focus motor. Nikon 24-70mm N can work on both Nikon FX full-frame cameras and Nikon DX cropped cameras. When using Nikon 24-70mm N on Nikon DX cameras EGF will fit 36-105mm.
Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
Attention: Nikon DX cropped cameras may have difficulty creating shots that require a wide angle. because of crop factor on Nikon DX cameras, it is better to use DX lenses of the type 16-50mm, 16-55mm, 17-50mm, 17-55mm. For example, for cropped cameras Nikon DX is more suitable for a number of tasks 17-55mm f / 2.8G IF-ED AF-S DX Zoom nikkor. For the curious, I can say that the Nikon 24-70mm N field of view in the full frame of the Nikon FX will be the same as the 16-47mm lens on the Nikon DX crop.
Sample photo on Nikon 24-70mm F2.8 N
The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has very fast autofocus. I was surprised by the focusing speed. Focusing is very quiet, there are very few focusing errors, and when an error occurs, the lens rebuilds very quickly. The lens has only one M / A - M switch. In the M / A mode, automatic focusing is available, and at the same time, you can correct or focus manually. In M mode, only manual focus is available.
Sample photo on Nikon 24-70mm F2.8 N
In manual focusing mode, the focus ring rotates only 90 degrees, it is difficult to focus on focus. Most likely, the small stroke of the focusing ring is used for fast automatic focusing. Of course, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has a focusing distance indicator from infinity to 38cm. It's funny, but MDF, which is only 38cm, can serve to get a meager macro 1 in 3,7. Nikon could easily add the 'Macro' prefix and add a couple of hundred dollars. in the cost of the lens.
Dimensions Nikon 24-70mm F2.8 N
Of course, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has internal focus. As befits all professional lenses, when focusing, the front lens does not rotate and does not move back and forth. The front filter, too, has a professional large diameter of 77mm. In terms of focus, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor shows excellent performance.
Photo at Nikon 24-70mm F2.8 N
The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor lens has a metal mount and weighs quite a lot - about 900g (almost a kilogram). For Nikon 24-70mm f / 2.8G ED AF-S N Nikkor, professional Nikon cameras are best suited, with which the camera can maintain weight balance well. Sergey Svirida, who provided me with a lens for review, tried to shoot on Nikon D5100, the idea was bad in that the lens constantly outweighed the camera and rested on the stomach when the camera hung on a strap on its neck. I used Nikon 24-70mm f / 2.8G ED AF-S N Nikkor on the camera Nikon D700With it, the Nikon 24-70mm f / 2.8G ED AF-S N Nikko behaved very nicely.
Photo at Nikon 24-70mm F2.8 N
The zoom (zoom) ring rotates 90 degrees, the ring rotates quite tight. When transporting the lens, the trunk of the lens does not protrude. The only small drawback of the lens is the exit of the trunk when zooming. Usually professional lenses of this class do not change their physical size when zooming, but the trunk of the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor leaves just a little bit.
Photo at Nikon 24-70mm F2.8 N
The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor comes with a hood that can be worn backwards. The hood has a latch that locks into position on the lens.
Background blur on Nikon 24-70mm F2.8 N
Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has an aperture with 9 blades, which is higher than normal. When the diaphragm is closed, fairly flat discs are formed in the blur zone. The minimum aperture is F / 22.
Portrait on Nikon 24-70mm F2.8 N
Alternatives
The only native alternative is Nikon 28-70mm f / 2.8 D AF-S, all other lenses from third-party manufacturers. Often, under the alternative Nikon 24-70mm f / 2.8G ED AF-S N Nikkor gets a simple little old Nikon 24-85mm f / 2.8-4D AF IF Nikkoras well as a very popular replacement are Tamron AF 28-75mm f / 2.8 SP XR Di LD Aspherical (IF) and Sigma AF 24-70mm F2.8 EX DG HSM. There are also similar ones: Sigma AF 24-70mm F2.8 EX DG MACRO, Sigma AF 24-60mm F2.8 EX DG, Sigma AF 28-70mm F2.8 EX DG, Tokina AF 28-70mm f / 2.8. Seriously compete with the Nikon 24-70mm f / 2.8G so far can only Tamron 24-70mm F / 2.8 Di VC USD и Nikon 28-70mm f / 2.8 D AF-S. But still, after a day of using the Nikon 24-70mm f / 2.8G ED AF-S N, Nikkor is unlikely to want to use anything else.
Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
Image Quality on the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
First of all, I would like to note the excellent sharpness in the center throughout the focal length range. The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is one of the few zoom lenses that comes close in sharpness to prime lenses at full aperture. The lens is resistant to backlight. The lens's only drawbacks are 24mm distortion and vignetting at open apertures. The lens gives good contrast and color reproduction. The bokeh of the lens is very nice and soft.
Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
Nikon 24-70mm f / 2.8G ED AF-S N Nikkor sample photos
All photos were taken on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor and an APS camera Nikon D700 FX. All photos without processing, RAW -> JPEG, Q = 80%, reduced size to 2MP, data from EXIF. You can still see photo from a walk on the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor and Zorkiy-4.
Personal experience
The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor features a yellow thin border around the front lens - which means the 27-70mm N is a professional lens with the ultimate in build quality, image quality and value for money. The lens really deserves attention and is well worth the money. Some people say that the lens is heavy, but personally I did not feel tired of using the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor at all, as I have to work with heavy photographic equipment every day. Weight is the price of versatility. It's funny, but a fifty-kopeck piece (50mm) can partially replace this Nikon 24-70mm f / 2.8G ED AF-S N Nikkor and get a better aperture. 50mm is the middle of the 24-70mm range, (24 + 70) / 2 = 47mm. With the hood on, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor looks very impressive. Also, Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is one of three Nikon zoom lens icons:
- Nikon 14-24mm f / 2.8G ED AF-S N Nikkor
- Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
- Nikon 70-200mm f / 2.8G ED VR II AF-S N Nikkor
Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
Roughly speaking, having these three lenses, you can cope with any photographic task that requires a range of 14-200 mm, which is the most frequent and required operating range for a number of photographers. Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is not in vain for wedding photographers, I myself know that at the wedding this Nikon 24-70mm f / 2.8G ED AF-S N Nikkor will be a very good working tool for the photographer. Actually, I recommend all Nikon 24-70mm f / 2.8G ED AF-S N Nikkor wedding photographers working on a full Nikon frame.
Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
Professional fast wagon
Choosing a good high-speed universal lens is one of the most important for a large number of photographers. I pay a lot of attention to this issue, because I prepared this list of all full-frame universal (standard range of focal lengths) fast autofocus lenses:
Canon
Bayonet EF:
- Canon Zoom Lens EF 28-70 mm 1: 2.8 L USM
- Canon Zoom Lens EF 24-70 mm 1: 2.8 L USM
- Canon Zoom Lens EF 24-70 mm 1: 2.8 L II USM
Bayonet R:
- Canon Lens RF 28-70 mm F2 L USM, since September 2018
- Canon Lens RF 24-70 mm F2.8L IS USMsince August 2019
Nikon
Bayonet F:
- Nikon AF Nikkor 35-70 mm 1: 2.8 (MKI)
- Nikon AF Nikkor 35-70 mm 1: 2.8D (MKII)
- Nikon AF-S Nikkor 28-70 mm 1: 2.8D ED SWM (two body color options)
- Nikon AF-S Nikkor 24-70 mm 1: 2.8GN ED Nano Crystal Coat SWM IF Asphericalsince December 2007
- Nikon AF-S Nikkor 24-70 mm 1: 2.8EN ED Nano Crystal Coat SWM IF Aspherical VR
Bayonet Z:
- Nikon Nikkor Z 24-70 mm 1: 2.8 S
- Nikon Nikkor Z 28-75 mm 1:2.8 (the scheme is similar to Tamron a036, animation)
Tokina (for different mounts)
- Tokina AT-XAF 28-70 mm 1: 2.8 (Tokina AT-X 270 AF)
- Tokina AT-X PROAF 28-70 mm 1: 2.6-2.8 (or 1: 2.8, Tokina AT-X 270 AF PRO)
- Tokina AT-X PROAF 28-70 mm 1: 2.6-2.8 (or 1: 2.8, Tokina AT-X 270 AF PRO II)
- Tokina AT-X PRO 28-80 mm 1: 2.8 Aspherica (Tokina AT-X 280 AF PRO)
- Tokina AT-X PRO SV 28-70 mm 1: 2.8 (Tokina AT-X 287 AF PRO SV)
- Tokina sd 24-70 F2.8 (IF) FX AT-X PRO Aspherical
Sigma (for different mounts, in chronological order)
- Sigma 28-70mm 1: 2.8 Zoom, from May 1992 (Vivitar 28-70 / 2.8 VMC was made on its basis)
- Sigma 28-70mm 1: 2.8 Zoom EX Ashperical [+ -D], from the end 1998
- Sigma 28-70mm 1: 2.8 Zoom EX Aspherical DF [+ -D]since February 2001
- Sigma 24-70mm 1: 2.8 Zoom EX DG Aspherical [+ -D], [DF version], since February 2001
- Sigma 24-60mm 1: 2.8 Zoom EX DG [+ -D], from May 2004
- Sigma 24-70mm 1: 2.8 Zoom EX DG Macro [+ -D], From september 2004
- Sigma 28-70mm 1: 2.8 Zoom EX DG [+ -D], From september 2004
- Sigma 24-70mm 1: 2.8 EX DG HSM, From september 2008
- Sigma 24-70mm 1:2.8 DG HSM OS A (ART), from February 2017, Nikon F, Canon EF, Sigma SA
- Sigma 24-70mm 1: 2.8 DG DN A (ART)since November 2019, Sony E, Leica L, the layout is similar to Leica Vario-Elmarit-SL 2.8 / 24-70mm, animation
- Sigma 28-70mm 1: 2.8 DG DN C (Contemporary)since February 2021, Sony E, Leica L
Tamron (for different mounts)
- Tamron SP AF 35-105 mm 1: 2.8 Aspherical Model 65D
- Tamron SP AF Aspherical LD [IF] 28-105 mm 1: 2.8 Model 176D
- Tamron SP AF Aspherical LD [IF] 28-105 mm 1: 2.8 Model 276D
- Tamron SP AF Aspherical XR Di LD [IF] 28-75 mm 1: 2.8 Macro Model A09 (Model A09N & Model A09N II) (scheme like Konica Minolta AF Zoom 28-75mm 1: 2.8 (32) D и Sony 2.8 / 28-75 SAM)
- Tamron SP 24-70 mm F / 2.8 DI VC USD Model A007
- Tamron SP 24-70 mm F / 2.8 Di VC USD G2 Model A032
- Tamron 28-75 mm F / 2.8 Di III RXD Model A036, (15/12), only for Sony E / FE, the scheme is similar to Nikon Nikkor Z 28-75 mm 1:2.8, animation
- Tamron 28-75 mm F / 2.8 Di III VXD G2 Model A063, (17/15), only for Sony E / FE, Fall 2021
- Tamron 35-150 mm F / 2-2.8 Di III VXD Model A058, Sony E / FE only, Fall 2021
Sony
Sony / Minolta A mount:
- Konica Minolta AF Zoom 28-75 mm 1: 2.8 (32) D (scheme like Tamron 28-75 / 2.8)
- Minolta AF Zoom 28-70 mm 1: 2.8 (32) G
- Sony 2.8 /28-75 SAM (scheme like Tamron 28-75 / 2.8)
- Sony Zeiss Vario-Sonnar 2,8 /24-70 ZA SSM T *
- Sony Zeiss Vario-Sonnar 2,8 /24-70 ZA SSM II T* (circuit from the previous lens)
Sony E-mount:
- Sony FE 2.8 /24-50 G (G, SEL2450G)
- Sony FE 2.8 /24-70 GM (G, SEL2470GM)
- Sony FE 2.8 /24-70 GM II (G, SEL2470GM2)
Pentax (K)
- Pentax SMC FA 28-70 mm f / 2.8
- Pentax HD Pentax-D FA 24-70 mm f / 2.8ED SDM WR
Angénieux
- Angenieux zoom F.28-70 1: 2.6 AF (for Nikon F, Minolta / Sony A, Canon EF)
Vivitar
- Vivitar Series 1 28-70mm 1: 2.8 VMC AUTO FOCUS ZOOM, different mounts, presumably a copy Sigma 28-70mm 1: 2.8 Zoom
Panasonic
- Panasonic Lumix S PRO 1: 2.8 /24-70 mm, from August 2019, Leica L
Leica
-
Leica Vario-Elmarit-SL 1: 2.8 / 24-70mm f / 2.8 ASPH., from May 2021, the optical design repeats Sigma 24-70mm 1: 2.8 DG DN Art (animation)
Samyang
- Samyang AF 24-70 / 2.8 FE, aka Rokinon AF 24-70 / 2.8 FE, from October 2021, only for Sony E / FE
- Samyang AF 35-150/2-2.8FE, from April April 2023, only for Sony E/FE
Lens prices in popular stores can look at this link, either in the price block below:
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List of all Nikon FX 24-XXX autofocus lenses:
- Nikon 24-50 mm 1: 3.3-4.5 AF Nikkor
- Nikon 24-50 mm 1: 3.3-4.5D AF Nikkor
- Nikon 24-70 mm 1: 2.8GN AF-S Nikkor ED Nano Crystal Coat SWM IF Aspherical
- Nikon 24-70 mm 1: 2.8EN AF-S Nikkor ED Nano Crystal Coat SWM IF Aspherica VR + its modification of the 'Nikon 100th Anniversary Edition'
- Nikon 24-85 mm 1: 2.8-4D AF Nikkor IF Aspherical Macro (1: 2)
- Nikon 24-85 mm 1: 3.5-4.5G AF-S Nikkor ED SWM IF Aspherical
- Nikon 24-85 mm 1: 3.5-4.5G AF-S Nikkor ED VR SWM IF Aspherical
- Nikon 24-120 mm 1: 3.5-5.6D AF Nikkor
- Nikon 24-120 mm 1: 3.5-5.6G ED AF-S Nikkor SWM VR IF Aspherical
- Nikon 24-120 mm 1: 4G N AF-S Nikkor ED VR SWM IF Aspherical Nano Crystal Coat
Catalog of modern lenses for Nikon can see here.
Conclusions
The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is one of the best zoom lenses from Nikon, the best of its kind in the mid-range for Nikon. Sharp, fast, heavy, expensive. Recommend.
At the beginning of August 2015, an updated version for this wonderful station wagon was presented - Nikon N VR AF-S Nikkor 24-70mm 1: 2.8E ED.
Material prepared Arkady Shapoval. Training/Consultations | Youtube | Facebook | Instagram | Twitter | Telegram
Excellent review, one thing is clear - the lens is class!
Arkady, tell me - does it make sense to acquire a DX (D7000)? for the same weddings or birthdays (amateur) or a wide angle may not be enough….
If for weddings, sooner or later you will still go to the full frame, where 24-70 will be very popular. I think you can take it and just be careful with a wide angle.
Hello Arkady. For the umpteenth time I decided to turn to you for advice ...
Already in three flaps I turned to you for advice. I bought everything like it.
We study photography after working with my wife on the D90. In the future we are thinking about commercial shooting. We decided to buy a D750. And look towards 24-70. But what bothers me is that for women’s hands, the first version without a stub with considerable weight can be frustrating with a shake, and the second version is very expensive. Can I take a kit with 24-120 with a stub? What do you think?
24-70 is heavy in itself, correctly setting the auto-iso with the correct selection of shutter speed there will be no problems with moving.
Arkady, and if 24-70 is a little expensive for me, but there is an opportunity to pick up my own 28-70 in excellent condition, and I really like it in terms of design ...
How do you think?
Great review and super lens! The bokeh is just super, I really liked it. Is it somehow unusual, or does it seem to me? As you can see from the photo, 9 aperture blades are quite enough to avoid nuts at any f values! Thanks for such a cool and interesting review!
It's my pleasure. The bokeh is really nice.
Arkady, thanks! The long-awaited review by many! But will the D7000 camera's angle of view change for a 24-70 lens set to 24 mm compared to 18-105 set to 24 mm? Or will a 24 mm 24-70 lens give the same angle on the crop as the 36 mm 18-105 lens?
If you set 18mm to 105-24mm and set 24mm to 70-24mm, then you will see the same picture in terms of coverage. For DX lenses, they write the usual focal length, excluding the crop factor, since the focal length does not change from the sensor, only the EGF changes.
Arkadiy dyakuyu for review. Nicho so obktiv)))
not at all :)
Thanks! Clear! I agree, Arkady, with your first answer (at 4:13), and from my relatively small experience, I want to add that for shooting weddings, etc. measures focal lengths of 24 mm or less on the crop are needed, but this is not particularly critical. Probably everyone has their own shooting style?
Arkady, but regarding the sharpness of 24-70, your review says “... is approaching in sharpness to prime lenses at a fully open aperture”. The Nikon website says about this lens “... provides the same sharpness of the image throughout the frame as lenses with a fixed focal length” (probably at a certain aperture? F5,6 for example).
Well, the site is a little speculating, not indicating which apertures 24-70 do. I wrote for being completely open, this is one of the few zooms that really shows something worthwhile.
Do you think that such a kit will be convenient and interesting on DX (Nikon D90) with the subsequent transition to FX (I hope D600):
1. Nikkor 20mm 2.8D.
2. Nikkor 50mm 1.8G - already available.
3. Nikkor 105mm 2.8G VR Micro.
The main requirement is the quality of the resulting image.
Do not offer zooms, as they are heavy, expensive and not very high quality. I do not consider other manufacturers - for a lottery. I plan manual (Soviet) optics mainly “for the soul”.
Normal set, 20mm is the only inexpensive wide-angle for crop and full frame. The fifty dollar is not bad, but the 105tka will greatly delight you with its quality.
For a wide angle, I would recommend Tokina AT-X 116 PRO DX AF 11-16, I bought it myself and I’m not overjoyed, the lens is not heavy and very sharp, and a constant aperture of 2.8 allows you to take the night city off your hands. True glass is only for crop. But 20mm on a crop is not such a wide angle, IMHO is not enough for landscapes.
Privit usim. It’s just that before win, it’s just super, just in one word. There’s less than two obvious shortcomings. A wide range of shortages for the most part had to climb more and more in apartments, more than two people and, moreover, all the same, they had a 24 mm distortion. in such a sport and knowing. On the average of 7000 (having tried to experiment) the balance of the balance is 5100, however, the maximum amount of pain is hurt. At least 7000, the maximum is really available all day long. і D2.8 in my time іn pіvnyannі.і on kіnets for quietly hto brow s photographer kupuє optics, and zdachi camera I used to Radivoje kupuvati to molodshih models will bo potіm zhalіti (fotografuvati vіn Buda Garnier, ale wears Dovgy
you can’t do it. It's just that there’s a balance of vagium)
Thanks for the assessment, I still decided to shoot mostly with fixes. Now I'm trying to shoot everything for fifty dollars. Well, I dabble in Soviet fixes! And in the zooms I was disappointed! I rarely put on my 18-200vr2. Of course, this 24-70 2.8 could be liked, but too heavy in terms of weight and money. It’s better to take a full-frame carcass. Or a set of fixes. For range I want 80-400 which D. But it will not be very soon. You'll see and wait for the lineup updates.
PS. it kills me when some whale lens advises beginners. it’s the same as condemning a person to remain an amateur forever. after that, many people stop taking photos at all. and after all, a cheap penny will give an amateur hope of becoming a professional.
There are a lot of factors that will affect the further development of events, because for many people the whale lens, on the contrary, can be the best tool.
$ 200-300 is a penny lens ???? a lot of money?
Nikon 50mm f1.8D is in the region of 130 cu, but not 200-300 cu
For me personally, the whale has become a huge brake. like pictures are normal, but not that. and now half an hour with helios-44 and at least one beautiful photo. just one person will get to the bottom of the truth and come to normal glasses, and the other will spit and throw the DSLR on the shelf. but if he does feel the difference ... then it would be more fair to advise a good soap dish, etc. the person will be satisfied and in case of an unimportant result he will be more lenient towards the apparatus.
PS. And after a few years DSLRs will be replaced by all sorts of mirrorless cameras. just as the film was replaced with a number ...
Sony has already released a full frame with a non-removable lens (soap box) and a full frame with a translucent mirror. A matter of time.
soon we will choose not between Nikon and Canon, but between Sony and Panasonic. non-mirroring they are very interesting. Hassel Duck didn’t invent anything at all, but simply took the giblets from Sonya and rolled up the price tag.
2021 in the yard, but canon and nikon still reign. Well, sleepyhead. Panasy and others have become more the lot of videographers
I don’t call for the weather with a dumka hundred-fold “whale” lines.
Bo lyudina, who previously denied DLSR to get it, doesn’t know much, like herself
linzi to know. If you have filled up the singing dosage, you will be more reasonably mindful, as the focal point is the most demanding for the day.
Yak can a newbie raditi 50 mm on a crop if not vidomo, chi you want to know yomya tsya viddan?
And from the delight, change 18-55 to the “kit” 18-105 - then то to the right of good. :)
Hello everyone :) I decided to purchase a Nikkor 24-70mm f / 2.8G ED. Maybe someone will tell you where it is possible to purchase this device many times cheaper, but not for 12000-14000 thousand UAH. All answers can be sent to me on soap kentigor@yandex.ru or write here. I believe that the information on the purchase of Nikkor 24-70mm f / 2.8G ED at a purchase or lower price will be useful to each of us!
Arkady, for the article, tsikavo and zrozumіlo.
I’m getting ready to fix the issue for 7000, so I don’t need to vouch for what
1.Nikon 50mm f / 1.4G AF-S
2.Nikon 17-55mm f / 2.8G IF-ED
3.Nikon 24-70mm f / 2.8G ED AF-S
rosum, scho one asset is not enough, ale potrben one is universal. I photograph for myself, it’s important for mandrivas. Schoh please, on what zupinitsya?
Crazy!
I am more inclined to Nikon 24-70mm f / 2.8G ED AF-S as a more serious lens, which in the future will be able to serve at full frame.
Hello. After d3000, what step forward? D90 d7000 or these models do not make sense (as they say in stores)
For what purpose are you changing the camera?
we photograph weddings and street shooting (mainly portrait)
Then it makes sense to look at the Nikon D7000, and Nikon D600, D800
Arkady, are there any thoughts about second-hand?
Riznitsya in price about 30-40%, Chi є sense of economy?
Crazy!
There is a sense, there is a risk too.
On schto warto wrap respect?
If I'm not a pro, is it better to immediately switch to d7000 or all the same d600?
If photography is for yourself - then D7000, if this is earnings - then D600, 800
thank you
For all that is possible, because the camera has a lot of functions that are worth checking out, and it’s difficult to do it in one hour.
Arkady, and if you buy such an objective right away, is it suitable for the first time on the d3000? Or am I asking a stupid question.
Yes, it does.
And if you choose between d600 and d7oo which is better?
I didn't use the D600, I can't say. The only thing is cameras of different levels, professional d700 and amateur d600, this already says a lot.
To be honest, I’m not a photographer, and I don’t understand anything. I have a daughter doing it, but she is still an amateur (she’s 15 years old), but she already takes off her weddings and people like them. But I see that the d3000 is not enough for her, that's why I want to buy she’s new. Can she self-educate to work at full frame? So I want smart advice on what to buy.
I ask for your advice
Yes, he can. I recommend full frame, there is nothing complicated, and the sooner you start, the better. I wish you success.
A 700 or 800. Heard at 8oo like that heavy photo?
Everything is written in the Nikon D800 review.
Thank you so much!
Arkady, good afternoon!
Recently I bought a fifty-kopeck piece and I am very happy, and I get excellent portraits. Now I want a lens for outdoor shooting, weddings. I would like to have a beautiful bokeh and zoom, otherwise you have to run with fifty dollars… :) Tell me, please, which lens would you recommend? Thanks in advance for your reply.
Beautiful bokeh is mainly in the body of the lenses with which to run. Wide and over wide give a low background blur intensity and weak bokeh. This 24-70 is a pretty good option.
Arkady, thanks. But for street filming / weddings, which ideally recommend taking it, given that I have a kit (Nikon D5000). Thanks for the answer.