Nikon N AF-S Nikkor 24-70mm 1: 2.8G ED NanoCrystalCoat SWM IF Aspherical Review

For the opportunity Nikon N AF-S Nikkor 24-70mm 1: 2.8G ED NanoCrystalCoat SWM IF Aspherical review many thanks Sergey Svirida

Nikon 24-70mm f / 2.8G ED AF-S N Nikkor review

Nikon 24-70mm f / 2.8G ED AF-S N Nikkor review

The Nikon N AF-S Nikkor 24-70mm 1: 2.8G ED NanoCrystalCoat SWM IF Aspherical is the legendary fast zoom lens. The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is a nanocrystalline monster that is ideal for a variety of photography needs. When buying a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor, you can be sure that your money is not wasted, because the lens has 3 ED glass elements (Extra-low Dispersion) and 3 more aspherical elements ASP and one element with a nanocrystalline coating (NanoCrystal Coat, N).

Optical design of the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Optical design of the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Nikon 24-70mm f / 2.8G ED AF-S N Nikkor will work great on any Nikon digital SLR camerasince the Nikon 24-70mm N has a built-in focus motor SWM (Silent Wave Motor). Nikon 24-70mm N can work both on full-frame Nikon FX cameras and on Nikon DX cropped cameras. When using Nikon 24-70mm N on Nikon DX cameras, EGF will correspond to 36-105mm.

Example f

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Attention: Nikon DX cropped cameras may have difficulty creating shots that require a wide angle. because of crop factor on Nikon DX cameras, it is better to use DX lenses of the type 16-50mm, 16-55mm, 17-50mm, 17-55mm. For example, for cropped cameras Nikon DX is more suitable for a number of tasks 17-55mm f / 2.8G IF-ED AF-S DX Zoom nikkor. For the curious, I can say that the Nikon 24-70mm N field of view in the full frame of the Nikon FX will be the same as the 16-47mm lens on the Nikon DX crop.

Sample photo on Nikon 24-70mm F2.8 N

Sample photo on Nikon 24-70mm F2.8 N

The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has very fast autofocus. I was surprised by the focusing speed. Focusing is very quiet, there are very few focusing errors, and when an error occurs, the lens rebuilds very quickly. The lens has only one M / A - M switch. In the M / A mode, automatic focusing is available, and at the same time, you can correct or focus manually. In M mode, only manual focus is available.

Sample photo on Nikon 24-70mm F2.8 N

Sample photo on Nikon 24-70mm F2.8 N

In manual focusing mode, the focus ring rotates only 90 degrees, it is difficult to focus on focus. Most likely, the small stroke of the focusing ring is used for fast automatic focusing. Of course, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has a focusing distance indicator from infinity to 38cm. It's funny, but MDF, which is only 38cm, can serve to get a meager macro 1 in 3,7. Nikon could easily add the 'Macro' prefix and add a couple of hundred dollars. in the cost of the lens.

Dimensions Nikon 24-70mm F2.8 N

Dimensions Nikon 24-70mm F2.8 N

Of course, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has internal focus. As befits all professional lenses, when focusing, the front lens does not rotate and does not move back and forth. The front filter, too, has a professional large diameter of 77mm. In terms of focus, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor shows excellent performance.

Photo at Nikon 24-70mm F2.8 N

Photo at Nikon 24-70mm F2.8 N

The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor lens has a metal mount and weighs quite a lot - about 900g (almost a kilogram). For Nikon 24-70mm f / 2.8G ED AF-S N Nikkor, professional Nikon cameras are best suited, with which the camera can maintain weight balance well. Sergey Svirida, who provided me with a lens for review, tried to shoot on Nikon D5100, the idea was bad in that the lens constantly outweighed the camera and rested on the stomach when the camera hung on a strap on its neck. I used Nikon 24-70mm f / 2.8G ED AF-S N Nikkor on the camera Nikon D700With it, the Nikon 24-70mm f / 2.8G ED AF-S N Nikko behaved very nicely.

Photo at Nikon 24-70mm F2.8 N

Photo at Nikon 24-70mm F2.8 N

The zoom (zoom) ring rotates 90 degrees, the ring rotates quite tight. When transporting the lens, the trunk of the lens does not protrude. The only small drawback of the lens is the exit of the trunk when zooming. Usually professional lenses of this class do not change their physical size when zooming, but the trunk of the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor leaves just a little bit.

Photo at Nikon 24-70mm F2.8 N

Photo at Nikon 24-70mm F2.8 N

The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor comes with a hood that can be worn backwards. The hood has a latch that locks into position on the lens.

Photo at Nikon 24-70mm F2.8 N

Background blur on Nikon 24-70mm F2.8 N

Nikon 24-70mm f / 2.8G ED AF-S N Nikkor has an aperture with 9 blades, which is higher than normal. When the diaphragm is closed, fairly flat discs are formed in the blur zone. The minimum aperture is F / 22.

Portrait on Nikon 24-70mm F2.8 N

Portrait on Nikon 24-70mm F2.8 N

Alternatives

The only native alternative is Nikon 28-70mm f / 2.8 D AF-S, all other lenses from third-party manufacturers. Often, under the alternative Nikon 24-70mm f / 2.8G ED AF-S N Nikkor gets a simple little old Nikon 24-85mm f / 2.8-4D AF IF Nikkoras well as a very popular replacement are Tamron AF 28-75mm f / 2.8 SP XR Di LD Aspherical (IF) and Sigma AF 24-70mm F2.8 EX DG HSM. There are also similar ones: Sigma AF 24-70mm F2.8 EX DG MACRO, Sigma AF 24-60mm F2.8 EX DG, Sigma AF 28-70mm F2.8 EX DG, Tokina AF 28-70mm f / 2.8. Seriously compete with the Nikon 24-70mm f / 2.8G so far can only Tamron 24-70mm F / 2.8 Di VC USD и Nikon 28-70mm f / 2.8 D AF-S. But still, after a day of using the Nikon 24-70mm f / 2.8G ED AF-S N, Nikkor is unlikely to want to use anything else.

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Image Quality on the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

First of all, I would like to note the excellent sharpness in the center throughout the focal length range. The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is one of the few zoom lenses that comes close in sharpness to prime lenses at full aperture. The lens is resistant to backlight. The lens's only drawbacks are 24mm distortion and vignetting at open apertures. The lens gives good contrast and color reproduction. The bokeh of the lens is very nice and soft.

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Nikon 24-70mm f / 2.8G ED AF-S N Nikkor sample photos

All photos were taken on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor and an APS camera Nikon D700 FX. All photos without processing, RAW -> JPEG, Q = 80%, reduced size to 2MP, data from EXIF. You can still see photo from a walk on the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor and Zorkiy-4.

Personal experience

The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor features a yellow thin border around the front lens - which means the 27-70mm N is a professional lens with the ultimate in build quality, image quality and value for money. The lens really deserves attention and is well worth the money. Some people say that the lens is heavy, but personally I did not feel tired of using the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor at all, as I have to work with heavy photographic equipment every day. Weight is the price of versatility. It's funny, but a fifty-kopeck piece (50mm) can partially replace this Nikon 24-70mm f / 2.8G ED AF-S N Nikkor and get a better aperture. 50mm is the middle of the 24-70mm range, (24 + 70) / 2 = 47mm. With the hood on, the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor looks very impressive. Also, Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is one of three Nikon zoom lens icons:

  1. Nikon 14-24mm f / 2.8G ED AF-S N Nikkor
  2. Nikon 24-70mm f / 2.8G ED AF-S N Nikkor
  3. Nikon 70-200mm f / 2.8G ED VR II AF-S N Nikkor
Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Roughly speaking, having these three lenses, you can cope with any photographic task that requires a range of 14-200 mm, which is the most frequent and required operating range for a number of photographers. Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is not in vain for wedding photographers, I myself know that at the wedding this Nikon 24-70mm f / 2.8G ED AF-S N Nikkor will be a very good working tool for the photographer. Actually, I recommend all Nikon 24-70mm f / 2.8G ED AF-S N Nikkor wedding photographers working on a full Nikon frame.

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Example photo on a Nikon 24-70mm f / 2.8G ED AF-S N Nikkor

Professional fast wagon

Choosing a good high-speed universal lens is one of the most important for a large number of photographers. I pay a lot of attention to this issue, because I prepared this list of all full-frame universal (standard range of focal lengths) fast autofocus lenses:

Canon

Bayonet EF:

  1. Canon Zoom Lens EF 28-70 mm 1: 2.8 L USM
  2. Canon Zoom Lens EF 24-70 mm 1: 2.8 L USM
  3. Canon Zoom Lens EF 24-70 mm 1: 2.8 L II USM

Bayonet R:

  1. Canon Lens RF 28-70 mm F2 L USM, since September 2018
  2. Canon Lens RF 24-70 mm F2.8 L IS USMsince August 2019

Nikon

Bayonet F:

  1. Nikon AF Nikkor 35-70 mm 1: 2.8 (MKI)
  2. Nikon AF Nikkor 35-70 mm 1: 2.8D (MKII)
  3. Nikon AF-S Nikkor 28-70 mm 1: 2.8D ED SWM (two body color options)
  4. Nikon AF-S Nikkor 24-70 mm 1: 2.8GN ED Nano Crystal Coat SWM IF Asphericalsince December 2007
  5. Nikon AF-S Nikkor 24-70 mm 1: 2.8EN ED Nano Crystal Coat SWM IF Aspherical VR

Bayonet Z:

  1. Nikon Nikkor Z 24-70 mm 1: 2.8 S

Tokina (for different mounts)

  1. Tokina AT-X AF 28-70 mm 1: 2.8 (Tokina AT-X 270 AF)
  2. Tokina AT-X PRO AF 28-70 mm 1: 2.6-2.8 (or 1: 2.8, Tokina AT-X 270 AF PRO)
  3. Tokina AT-X PRO AF 28-70 mm 1: 2.6-2.8 (or 1: 2.8, Tokina AT-X 270 AF PRO II)
  4. Tokina AT-X PRO 28-80 mm 1: 2.8 Aspherica (Tokina AT-X 280 AF PRO)
  5. Tokina AT-X PRO SV 28-70 mm 1: 2.8 (Tokina AT-X 287 AF PRO SV)
  6. Tokina sd 24-70 F2.8 (IF) FX AT-X PRO Aspherical

Sigma (for different mounts, in chronological order)

  1. Sigma 28-70 mm 1: 2.8 Zoom, from May 1992 (Vivitar 28-70 / 2.8 VMC was made on its basis)
  2. Sigma 28-70 mm 1: 2.8 Zoom EX Ashperical [+ -D], from the end 1998
  3. Sigma 28-70 mm 1: 2.8 Zoom EX Aspherical DF [+ -D]since February 2001
  4. Sigma 24-70 mm 1: 2.8 Zoom EX DG Aspherical [+ -D], [DF version], since February 2001
  5. Sigma 24-60 mm 1: 2.8 Zoom EX DG [+ -D], from May 2004
  6. Sigma 24-70 mm 1: 2.8 Zoom EX DG Macro [+ -D], From september 2004
  7. Sigma 28-70 mm 1: 2.8 Zoom EX DG [+ -D], From september 2004
  8. Sigma 24-70 mm 1: 2.8 EX DG HSM, From september 2008
  9. Sigma 24-70 mm 1: 2.8 DG HSM OS A (ART)since February 2017, Nikon F, Canon EF, Sigma SA
  10. Sigma 24-70 mm 1: 2.8 DG DN A (ART)since November 2019, Sony E, Leica L, optical design is the same as Leica Vario-Elmarit-SL 1: 2.8 / 24-70mm f / 2.8 ASPH. (animation)
  11. Sigma 28-70 mm 1: 2.8 DG DN C (Contemporary)since February 2021, Sony E, Leica L

Tamron (for different mounts)

  1. Tamron SP AF 35-105 mm 1: 2.8 Aspherical Model 65D
  2. Tamron SP AF Aspherical LD ​​[IF] 28-105 mm 1: 2.8 Model 176D
  3. Tamron SP AF Aspherical LD ​​[IF] 28-105 mm 1: 2.8 Model 276D
  4. Tamron SP AF Aspherical XR Di LD [IF] 28-75 mm 1: 2.8 Macro Model A09 (Model A09N & Model A09N II) (scheme like Konica Minolta AF Zoom 28-75mm 1: 2.8 (32) D и  Sony 2.8 / 28-75 SAM)
  5. Tamron SP 24-70 mm F / 2.8 DI VC USD Model A007
  6. Tamron SP 24-70 mm F / 2.8 Di VC USD G2 Model A032
  7. Tamron 28-75 mm F / 2.8 Di III RXD Model A036, (15/12), only for Sony E / FE
  8. Tamron 28-75 mm F / 2.8 Di III VXD G2 Model A063, (17/15), only for Sony E / FE, Fall 2021
  9. Tamron 35-150 mm F / 2-2.8 Di III VXD Model A058, Sony E / FE only, Fall 2021

Sony

Sony / Minolta A mount:

  1. Konica Minolta AF Zoom 28-75 mm 1: 2.8 (32) D (scheme like Tamron 28-75 / 2.8)
  2. Minolta AF Zoom 28-70 mm 1: 2.8 (32) G
  3. Sony 2.8 /28-75 SAM (scheme like Tamron 28-75 / 2.8)
  4. Sony Zeiss Vario-Sonnar 2,8 /24-70 ZA SSM T *
  5. Sony Zeiss Vario-Sonnar 2,8 /24-70 ZA SSM II T *

Sony E-mount:

  1. Sony FE 2.8 /24-70 GM (G, SEL2470GM)

Pentax (K)

  1. Pentax SMC FA 28-70 mm f / 2.8
  2. Pentax HD Pentax-D FA 24-70 mm f / 2.8ED SDM WR

Angénieux

  1. Angenieux Zoom F.28-70 1: 2.6 AF (for Nikon F, Minolta / Sony A, Canon EF)

Vivitar

  1. Vivitar Series 1 28-70mm 1: 2.8 VMC AUTO FOCUS ZOOM, different mounts, presumably a copy Sigma 28-70 mm 1: 2.8 Zoom

Panasonic

  1. Panasonic Lumix S PRO 1: 2.8 /24-70 mm, from August 2019, Leica L

Leica

  1. Leica Vario-Elmarit-SL 1: 2.8 / 24-70mm f / 2.8 ASPH., from May 2021, the optical design repeats Sigma 24-70mm 1: 2.8 DG DN Art (animation)

Samyang / Rokinon

  1. Samyang AF 24-70 / 2.8 FE, aka Rokinon AF 24-70 / 2.8 FEsince October 2021

Lens prices in popular stores can look at this link, either in the price block below:

Comments on this post do not require registration. Anyone can leave a comment. For the selection of a variety of photographic equipment, I recommend E-Catalog и AliExpress.


List of all Nikon FX 24-XXX autofocus lenses:

  1. Nikon 24-50 mm 1: 3.3-4.5 AF Nikkor
  2. Nikon 24-50 mm 1: 3.3-4.5D AF Nikkor
  3. Nikon 24-70 mm 1: 2.8GN AF-S Nikkor ED Nano Crystal Coat SWM IF Aspherical
  4. Nikon 24-70 mm 1: 2.8EN AF-S Nikkor ED Nano Crystal Coat SWM IF Aspherica VR + its modification of the 'Nikon 100th Anniversary Edition'
  5. Nikon 24-85 mm 1: 2.8-4D AF Nikkor IF Aspherical Macro (1: 2)
  6. Nikon 24-85 mm 1: 3.5-4.5G AF-S Nikkor ED SWM IF Aspherical
  7. Nikon 24-85 mm 1: 3.5-4.5G AF-S Nikkor ED VR SWM IF Aspherical
  8. Nikon 24-120 mm 1: 3.5-5.6D AF Nikkor
  9. Nikon 24-120 mm 1: 3.5-5.6G ED AF-S Nikkor SWM VR IF Aspherical
  10. Nikon 24-120 mm 1: 4G N AF-S Nikkor ED VR SWM IF Aspherical Nano Crystal Coat

Catalog of modern lenses for Nikon can see here.

conclusions

The Nikon 24-70mm f / 2.8G ED AF-S N Nikkor is one of the best zoom lenses from Nikon, the best of its kind in the mid-range for Nikon. Sharp, fast, heavy, expensive. Recommend.

At the beginning of August 2015, an updated version for this wonderful station wagon was presented - Nikon N VR AF-S Nikkor 24-70mm 1: 2.8E ED.

Material prepared Arkady Shapoval... Look for me on Youtube | Facebook | VK | Instagram | Twitter.

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Comments: 219, on the topic: Review of the Nikon N AF-S Nikkor 24-70mm 1: 2.8G ED NanoCrystalCoat SWM IF Aspherical

  • Koba

    I talked with the monsters in China who are repairing this lens. It turned out that there really were some problems with the lenses released in 2011-2012, and in 2014-2015, that is, the last two years of production, the company made mechanical and optical improvements, so if you find a copy in excellent condition with a serial number from 1000000 and above, and maybe somewhere around 950000 and above, but from a million it will be more reliable (the latter had around 1145000), in theory you will have a modified version and there will be several times less shards for breakdowns. By the way, I also found information on the net that after the modification it became even better, and the sharpness decreased very slightly. The number is written on the lens itself, behind, below the name, also in white paint, it should not be interrupted, which, it turns out, also happens, or erased. I was also told that the “craftsmen” erased the first number, since it began with 200000, that is, with a two, and then inscribed something like 11 or 10 so that it finally became a millionth one ... But the master said that he had not yet seen the option , on which it would be impossible to notice such a fake ...

  • Tanya

    Good day!

    Please tell me, you mentioned earlier that you are using a Nikon D700 camera. I would like to receive a recommendation from you. I also shoot on the Nikon D700 and I have two 50mm and 100mm lenses in my arsenal, I completely manage with these lenses, I mostly take portraits and food, but I need another lens with a wide angle for documentary photography and I'm trying to decide this lens is 24-70mm or possibly another photosensitive fix from Sigma 1.4Art 24mm or 35mm. For example, I need to photograph a room or some kind of landscape. I want to choose the right lens. Could you advise me something from your personal experience.

    • Koba

      yes I used D700 for over a year and then gave it to my son. Now he is shooting, and I bought D3s. If you need 24mm (I myself will be taking 24mm soon), then in my opinion there is one point - in most cases autofocus is not required, since at 5.6 aperture set at 2 meters on the scale, the depth of field is up to 11 meters with 1,2 meters. And at aperture F8 - from one meter to infinity. And in real life, the rest of the parameters can be set manually with auto ISO. Even the sharpest available is the old Nikon 20 / 3.5 ai, if you can find it, and it's made like a tank. Sigma art is just great lenses, but big and expensive, and sigma autofocus is often lame. But all sigma has one big drawback - they do not give high micro contrast (this is an unfortunate English term for the ability of a lens to convey more gradations of one or similar colors), and the picture always looks poor, especially if it is colorful or black and white. But the zoom from Nikon 24-70.2,8 is a gorgeous option, it can shoot everything, and its micro contrast is one of the highest among the zooms, for and the aperture is 2,8, and I consider the incredibly high speed and tenacity to be even the biggest advantage for it autofocus, which often negates all other advantages of other lenses. We must also take into account the fact that companies invest all their most advanced technologies in professional high-aperture reportage zooms in order to distinguish themselves and keep the reputation, as well as retain professionals, so they cost their money. After such a zoom, so for me a light fix may be required for a very narrow range of tasks. Personally, if you already have 50 and 100 mm lenses, I would recommend you get a 17-35, 20-35, 15-30 or 14-24 wide-angle zoom. The latter is also the only wide-angle zoom with high micro-contrast. And if you really need to blur the background, that is, or the unique Sigma 24-35 / 2, which is inexpensive (about $ 500) and is the pinnacle of optical engineering from Sigma, a really good lens with excellent bokeh, it is essentially specially designed for this ...

  • Nicholas

    did you know that this lens is in two versions, and it’s not at all a new one, with a stabilizer,
    namely the "G" version and also the JAA802DA, which differs optically, by the weight of mdf !!!

    • Arkady Shapoval

      What site grief did you get these screenshots from?

    • Garuvi

      82mm is the VR version

  • Kate

    Could you tell me, with the Nikon d850 camera this lens will work?

    • Arkady Shapoval

      yes it will work

    • mojst

      It has always been a mystery to me for people asking such questions to have a d850? 🤔

      • Gregor

        + + +

  • Ivan

    Quote: Usually professional lenses of this class do not change their physical size when zooming, but the trunk of the Nikon 24-70mm f / 2.8G ED AF-S N Nikkor leaves just a little bit.
    I measured it - this "a bit" is 20 millimeters, which is a lot for a non-small and not too light lens.
    As for the sharpness, I will say this - I also have 28-70 2.8, so it is sharper, as in my opinion.

  • Alexander

    Arkady hello, From all that has been written, I realized that the Nikon N AF-S Nikkor 24-70mm 1: 2.8G ED NanoCrystalCoat SWM IF Aspherical lens can be installed on the Nikon D7500 and it will work fine. But the FR will be 36-105, I am the most interested in everything that starts from 35FR. I have a sigma 18-35 f1.8 I just want to collect light lenses, but there are not so many of them on the crop. So I decided to build a fleet of them under-frame. If you can advise me something from the light ones, I will listen carefully. I will not Pro, but I do it seriously in my opinion. There are shooting at dusk or with stage lights. in halls and at concert venues. I would like to hear your advice.

    • Arkady Shapoval

      by 18-35 it is not worth 24-70, but for your tasks look at the fixes, for example, at 50 1.4

      • Alexander

        I would like something from the zooms, Maybe there is something cheaper. I like zooms more. I have fifty, but I like the zooms more. I have to shoot landscapes a lot.

        • JJ Tesla

          17-55 DX under high-aperture crop zoom.

  • Max

    Hello,
    I use this. Great impressions.
    I can sell Nikon 24-70mm f / 2.8G ED AF-S N Nikkor. Good condition. The reason for the sale is that there is little time for the photo. There are other hobbies.
    Success

  • Juozas M.

    Privet. Etim objektivom pol`zujus` okolo goda. Ne takoi on už xoroshij, prosto, xoroshaja reklama. Tak vsio pravilno, mo est` odin edinstvennij minus. Cvetovoj balans. Sozdajot golubiznu dazhe na snimke v RAW formate i kotoroj ustranit` pochti nel`zja. Iz za etogo nedostatka dlia portreta kupil Voigtlander Nokton 58mm; 1,4. Kamera: Nikon D750.

    • Dmitry Kostin

      I recommend trying Nikon on another camera (preferably 810-850 or D3s-D4-D4s).
      My friend has D3x and 24-70 / 2.8G and in general he is satisfied with it, but he still prefers to shoot with fixes.
      Rent a D850 with this lens and see how it goes. I didn't like the D750 and sold it (stayed on the D4).

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English-version of this article https://radojuva.com/en/2012/09/obzor-nikon-24-70-2-8-g-ed-af-sn/