FujiFilm Fujinon for X mount (with APS-C sensor)
All Fujifilm X APS-C Interchangeable Lens Digital Mirrorless Cameras
- X Pro1, X Pro2, X Pro3
- X-T1, X-T2, X-T3, X-T4, X-T5
- X-T10, X-T20, X-T30, X-T30II, X-T50
- X-S10, X-S20
- X-T100, X-T200
- X-E1, X-E2, X-E2s, X-E3, X-E4
- X-M1, X-M5
- X-A1, X-A2, X-A3, X-A5, X-A7
- X-10, X-A20
- X-H1, X-H2S, X-H2
Fixes:
- 8 mm 1:3.5 XF-R WR
- 14 mm 1:2.8 XF-R
- 16 mm 1:1.4 XF-R WR Nano-gi
- 16 mm 1:2.8 XF-R WR (black/silver)
- 18 mm 1:1.4 XF-R WR LM
- 18 mm 1:2 XF (R)
- 23 mm 1:1.4 XF-R
- 23 mm 1:1.4 XF-R WR LM
- 23 mm 1:2 XF-R WR (black/silver)
- 27 mm 1:2.8 XF (black/silver)
- 27 mm 1:2.8 XF-R WR
- 30 mm 1:2.8 XF-R WR LM MACRO
- 33 mm 1:1.4 XF-R WR LM
- 35 mm 1:1.4 XF (R)
- 35 mm 1:2 XC
- 35 mm 1:2 XF-R WR (black/silver)
- 50 mm 1:1 XF-R WR
- 50 mm 1:2 XF-R WR (black/silver)
- 56 mm 1:1.2 XF-R
- 56 mm 1:1.2 XF R APD
- 56 mm 1:1.2 XF-R WR
- 60 mm 1:2.4 XF (R) (MACRO)
- 80 mm 1:2.8 XF-R LM OIS WR MACRO
- 90 mm 1:2 XF-R LM WR (Non Aspherical)
- 200 mm 1:2 XF-R LM OIS WR (Non Aspherical)
- 500 mm 1:5.6 XF-R LM OIS WR
Zuma:
- 8-16mm 1:2.8 XF-R LM WR Nano-gi
- 10-24mm 1:4 XF-R OIS
- 10-24mm 1:4 XF-R OIS WR
- 15-45mm 1: 3.5-5.6 XC OIS PZ (black/silver)
- 16-50 1: 3.5-5.6 XC OIS (black/silver)
- 16-50 1: 3.5-5.6 XC OIS II (black/silver)
- 16-50mm 1:2.8-4.8 XF R LM WR
- 16-55mm 1:2.8 XF-R LM WR Nano-gi
- 16-55mm 1:2.8 XF-R LM WR II
- 16-80mm 1:4 XF-R OIS WR
- 18-55mm 1:2.8-4 XF R LM OIS
- 18-120mm 1: 4 XF LM PZ WR
- 18-135mm 1:3.5-5.6 XF R LM OIS WR
- 50-140mm 1:2.8 XF-R LM OIS WR Nano-gi (Non Aspherical)
- 50-230mm 1: 4.5-6.7 XC OIS (black/silver)
- 50-230mm 1: 4.5-6.7 XC OIS II (black/silver)
- 55-200mm 1:3.5-4.8 XF R LM OIS
- 70-300mm 1:4-5.6 XF R LM OIS WR
- 100-400mm 1:4.5-5.6 XF R LM OIS WR (Non Aspherical)
- 150-600mm 1:5.6-8 XF R LM OIS WR (Non Aspherical)
Legend:
- XF - Advanced Fujifilm X Lenses
- XC - budget, lightweight and compact lenses for the Fujifilm X mount. A distinctive feature is the absence of an aperture control ring. There is no other ring like this. 27/2.8XF.
- SUPER EBC (Electron Beam Coating) - Electron Beam Coating Optics
- Nano-GI (Nano Gradient Index) - a special nano-enlightenment optics that changes the refractive index at the junction of glass and air
- OIS (Optical Image Stabilization) - built-in optical image stabilization
- R (Ring) - a separate ring for iris control
- LM (Linear Motor) - linear focusing motor
- WR (Weather Resistant) - all-weather lens type
- Ashperical - aspherical elements in the optical scheme of the lens
- Non-Aspherical - aspherical elements are not used in the optical design (only for five lenses: 90/2, 200/2, TBU, 100-400/4.5-5.6 и 150-600/5.6-8)
- Macro - Macro Lenses
- APD(Apodization) - lens with internal non-removable gradient filter
- PZ (Power Zoom) - electronic zoom
- Cinema - lenses designed for movie shooting
- II - the second version of the lens
- Black/Silver - the lens is available in a choice of black or silver body
- MKX CINE - a line of lenses for cinematography (without autofocus), includes only 2 solutions: FUJINON MKX CINE ZOOM LENS 18-55mm T2.9 and FUJINON MKX CINE ZOOM LENS 50-135mm T2.9
For Fujifilm X there are also autofocus lenses from third-party manufacturers:
- Viltrox 13 / 1.4 | Viltrox 20 / 2.8 | Viltrox 23 / 1.4 | Viltrox 25 / 1.7 | Viltrox 27 / 1.2 | Viltrox 28 / 4.5 | Viltrox 33 / 1.4 | Viltrox 35 / 1.7 | Viltrox 56 / 1.4 | Viltrox 56 / 1.7 | Viltrox 75 / 1.2 | Viltrox 85/1.8 PFU | Viltrox 85/1.8II
- Sigma C 16 / 1.4| Sigma C 23 / 1.4 | Sigma C 30 / 1.4 | Sigma C 56 / 1.4 |Sigma C 10-18 / 2.8 | Sigma C 18-50 / 2.8 | Sigma C 18-300/3.5-6.7 OS | Sigma C 100-400/5-6.3
- Tamron 11-20 / 2.8 | Tamron 17-70 / 2.8 VC | Tamron 18-300 / 3.5-6.3 VC | Tamron 150-500 / 5-6.7 VC
- SIRUI: 16/1.2 | 23/1.2 | 33/1.2 | 56/1.2 |75/1.2 | 85/1.4 | 40/T1.8 1.33X
- TTArtisan 23 / 1.8 | TTArtisan 27 / 2.8 | TTArtisan 32 / 2.8 | TTArtisan 35 / 1.8 | TTArtisan 5/1.8 II | TTArtisan 56 / 1.8
- Zeiss Touit 12 / 2.8 | Zeiss Touit 32 / 1.8 | Zeiss Touit 50 / 2.8 Macro
- Tokina 23 / 1.4 | Tokina 33 / 1.4 | Tokina 56 / 1.4 | Tokina 11-18 / 2.8
- Yongnuo 11 / 1.8 | Yongnuo 50/1.8 PRO | Yongnuo 50 / 1.8 | Yongnuo 56 / 1.4
- 7Artisans 27 / 2.8 | 7Artisans 35 / 1.4
- Samyang 12 / 2 | Samyang 75/1.8
- Meike 33 / 1.4 | Meike 55 / 1.4 | Meike 55 / 1.8 | Meike 85 / 1.8 | Meike 85/1.8 PRO
- Brightin Star 50 / 1.4
- Astrhori 27/2.8
- SG-image: 55/1.8
- Jintu: 27/2.8
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Material prepared Arkady Shapoval.
Can an MFT lens be mounted on X? Are there adapters? I didn't find something. (
must not
Questions for system connoisseurs:
1. Why does the system have only one budget light and cheap fix of the XC series (model 35/2 2019)?
2. Why only a pretty good 100-400 / 4.5-5.6 does not have any specialized enlightenment like SUPER EBC or NANO-GI (after all, absolutely all the rest have such enlightenment)?
3. Do all XF series lenses have an aperture control ring?
4. Do all lenses come with aspherics and are marked FUJINON ASPHERECAL?
5. Why is 60mm 1:2.4 XF not marked with 'R' and 'MACRO' prefix? After all, all the other Makrushniks come with the letter 'R' and the prefix 'MACRO' in their names.
6. Why were the first lenses from Fuji marked with the letter 'f', like f=18mm 1:2, f=35mm 1:1.4, and then it was removed?
7. How to determine whether a lens belongs to a professional segment or a professional orientation (would they make an attachment, like X-Pro1, X-Pro2, X-Pro3)? They should be standardized, for example, by filter diameter, etc.
8. Where are the fixes in the range of 90-200mm?
9. Why is there only one light telephoto 50-140 / 2.8?
10. Why doesn't the vaunted 16-55/2.8 have a stub? (all other station wagons have a stub)
11. Which lenses from the list https://radojuva.com/2009/02/fujifilm-fujinon-x-fx-all-lenses-for-aps-c/ missed?
8. Where are the fixes in the range of 90-200mm?
Since this is the equivalent for ff 135-300mm, this question can also be asked in the direction of Canon RF, Nikon Z, Sony FE, Sigma L.
It’s possible, but this is an excuse based on the shortcomings of others
7. How to determine whether a lens belongs to the professional or professional segment
As a Fuja owner: they position everything that XF is for the pros. But in your road map https://fujifilm-x.com/global/products/x-mount-lens-roadmap/ They divide the XF into Ultra fast prime and RED BADGE (primes and zooms) which are their top lenses for pros. The rest of the XFs are just good glasses, but not with the widest aperture, although they are optically very good and have moisture protection.
There is also this one – Voigtländer 18mm f/2.8 Color Skopar
According to enemy reviews, it doesn't seem bad.